At the beginning of Fateless, when Gyuri Köves (Marcell Nagy), a slightly spoiled, upper-middle-class Budapest teenager, is sent to his first extermination camp, you may fear it will be a juvenile romance in which the hero learns important lessons (i.e., Andy Hardy in Auschwitz).
As Gyuri is starved beyond a point at which he recognizes himself or harbors any hope except to survive from moment to moment, however, the movie daringly drifts into near incoherence, while getting more and more unsettlingly beautiful. Fateless thus conveys the experience of extreme depersonalization in the camps without a bit of sentimentality, while its imagery becomes rapturous, without the aesthetic seductiveness you associate with the movies. It's a masterpiece.
Duke De Mondo
United 93
Couple nights past, being well knackered and near shagged asunder with the relentless razzamatazz of the Season, I found myself crawling four feet ‘neath the duvet for to sleep the sleep of the stricken Goliath and dream myself a fanciful scene not a fart’s breadth removed from the following:
I was perched by a water-pump in the company of a right queer old fella sat picking various articles of varying size from out the confines of a gargantuan welly-boot. Upon retrieving each item, he’d study it a moment with a savage squint in the peepers, afore sighing a curse and flinging it over his shoulder. Some ten or twelve minutes I watched this, afore I found the courage to ask, “Tell me this, now; what, by Luther’s teeth, are you fidgeting about in that there boot for?”
“What I’m looking for,” says he, by way of an answer, “Is the best film of the year 2006. Many’s a fine daughter I’ve plucked from herein, but, now, I’d be hard pressed to say any of them would be befitting such accolade.”
Thus he grunted and muttered and inspected and poked, flinging aside a Pan’s Labyrinth here (“Beautiful and remarkable, but not the one I’m after”), a Borat there (“I laughed so hard I shit the pants o’ the parish priest by accident, but no”), the odd Brokeback Mountain or Proposition or Talladega Nights or Jackass 2 or Tzameti. But with no joy to be had.
A fortnight passed, and all the while he rummaged about in that boot ‘till the fingers of his right hand were worn to well past the shoulder-blade. A fortnight, says I, and me sat there all the while in mighty anticipation, before he let loose a great roar of “Yes!” startling me something shocking. “I found it! I found the evasive bugger after all!”
And indeed he had.
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Article comments
1 - Ken Larson
WHY WE FIGHT -
There are good points in your article. I would like to supplement them with some information:
I am a 2 tour Vietnam Veteran who recently retired after 36 years of working in the Defense Industrial Complex on many of the weapons systems being used by our forces as we speak.
If you are interested in a view of the inside of the Pentagon procurement process from Vietnam to Iraq please check the posting at my blog entitled, "Odyssey of Armaments"
The Pentagon is a giant, incredibly complex establishment, budgeted in excess of $500B per year. The Rumsfelds, the Administrations and the Congressmen come and go but the real machinery of policy and procurement keeps grinding away, presenting the politicos who arrive with detail and alternatives slanted to perpetuate itself.
How can any newcomer, be he a President, a Congressman or even the new Sec. Def.Mr. Gates, understand such complexity, particularly if heretofore he has not had the clearance to get the full details?
Answer- he can't. Therefore he accepts the alternatives provided by the career establishment that never goes away and he hopes he makes the right choices. Or he is influenced by a lobbyist or two representing companies in his district or special interest groups.
From a practical standpoint, policy and war decisions are made far below the levels of the talking heads who take the heat or the credit for the results.
This situation is unfortunate but it is absolute fact. Take it from one who has been to war and worked in the establishment.
This giant policy making and war machine will eventually come apart and have to be put back together to operate smaller, leaner and on less fuel. But that won't happen until it hits a brick wall at high speed.
We will then have to run a Volkswagen instead of a Caddy and get along somehow. We better start practicing now and get off our high horse. Our golden aura in the world is beginning to dull from arrogance.
2 - -E
I'm glad someone wrote about Little Miss Sunshine. I loved that movie. I was torn between Perfume and another long movie, Herzog's newest Rescue Dawn, but I figured I'd leave the war movie for another time. Great picks everyone.
3 - Lisa McKay
I liked Little Miss Sunshine too. We watched A Scanner Darkly on DVD the other night, and I was surprised at how compelling I found it, since I didn't think, going in, that it would be my cup of tea. It was excellent, and visually arresting.
I've been deliberately avoiding 9/11 movies, but I've read so many good reviews of United 93 from people whose opinions I respect that I may have to re-think this.
4 - Triniman
Did anyone like The Departed?
5 - Duke De Mondo
Triniman, Scorsese is my 2nd favourite director of all ever, and yet through some or other malicious tricks and traps, i've been unable to see The Departed as yet. i'm very much looking forward to it. That it is fairly far removed from the source material, Infernal Affairs, which i loved no end, is very pleasing to me. the last thing i wanted was a lazy remake. This seems to be more of a Cape Fear esque re-imagining, yes? (or it would be, if Planet Of The Apes hadn't made that term seem so terribly dirty a couple years back).
6 - handyguy
Pan's Labyrinth is an extraordinary movie that opened very late (Dec. 29) in limited release. I would put it second only to United 93 among the year's films. And I agree that The Departed deserves a strong honorable mention.
Two nonfiction movies are also amazing, not to be missed (and available on DVD):
When the Levees Broke, Spike Lee's look at Katrina and its aftermath;
and
Ric Burns's Andy Warhol
Both were first shown on television, but both are great films, so their origins won't keep them off my list.
7 - Neil Miller
Triniman,
The Departed was excellent. I had it in my Top Ten of the Year, but I felt that Little Miss Sunshine was more entertaining.
8 - El Bicho
I enjoyed The Departed. In my top ten, a great b-movie noir.
9 - Triniman
Duke;
I think The Departed stands a good chance to win Scorcese the Oscar for Best Director. At the very least, he'll get a nomination.
I haven't seen Letters From Iwo Jima, Clint's other recent war film, which is also apparently Oscar-worthy for the Director award.
There's still plenty of time for new films to debut before the nominations close, but at this moment, I'm pulling for The Departed and Martin Scorcese.
10 - Deano
It's a pretty good list but I was surprised that "An Inconvenient Truth" didn't make the list....
11 - handyguy
My own lists:
10 best features:
United 93
Pan's Labyrinth
The Departed
Children of Men
Cas*no Royale
The Science of Sleep
Lady Vengeance
The Road to Guantanamo
Friends with Money
The Queen
5 best documentaries:
When the Levees Broke
Andy Warhol
49 Up
The Devil and Daniel Johnston
Jonestown: The Life and Death of the Peoples Temple
12 - Rusty
I thought The Departed was OK, but nowhere near as good as it is made out to be. For me, there seemed to be a major, gaping plot hole that I haven't seen addressed: Why did no one know that Damon's character was all but raised by Nicholson's, when the whole story revolved around an interlocking group of characters from the same area? Nicholson was the crime syndicate boss for years, the police had been after him for years, and no one knew that he had taken Damon under his wing for the last 10 years or so? Nicholson even showed up at Damon's police academy graduation in his limo and Damon went over and got in. And no one could figure out who Nicholson's contact in the police department was? Nicholson and Sheen knew each other. Nicholson knew both Damon and DiCaprio, and their families. How could no one know that Damon had been mentored by Nicholson since he was 10 or so, and still know everything about the neighborhood and everybody else who lived there? It just wasn't believeable.
13 - RW
Rusty, I'll go one better: They had Leo Dicaprio play the role of tough guy. Now THAT is the epitome of "gaping plot hole" on the scale of Paris Hilton playing the role of the flying nun.
14 - Scott Butki
Great job, E.B.
. Thanks for reminding me I need to see Why We Fight.
I already have a few others - like Miss Sunshine - on my list.
15 - Joe
Deano - It's a pretty good list but I was surprised that "An Inconvenient Truth" didn't make the list....
Science fiction has its own list.
16 - Kathy Scovill
The United 93 DVD had a touching and appropriate feature that included interviews with family members, with some of them meeting the actor that played their family member in the film. As the surviving sister of a Flight 11 passenger, I still gasped as Flight 175 hit the second tower in the film. I am in awe and so appreciative at how respectfully this film was handled. It took me awhile to watch, hence the reason I waited for the DVD, but it was worth the wait.
17 - handyguy
The Departed is based very closely on the Hong Kong film Infernal Affairs. Some of the "plot holes" are inherited from that source film. Also, I believe Scorsese is much more interested in heightened, operatic emotion than in realism. Madama Butterfly may not be believable or historically accurate either, but it's very convincing emotionally.
And people faulting DiCaprio's casting either haven't seen the film or are just completely prejudiced against him to begin with. He's quite brilliant.
18 - Kaonashi
Leonardo DiCaprio has spent the last 10 years trying to remind people that he's actually a serious and good actor, not just some prettyboy heartthrob from "Titanic". Looks like some people still haven't forgiven him for that role, and never will. It's a shame.