An Interview With Zen Noir Director Marc Rosenbush

Zen Noir follows a detective investigating a mysterious death at a Buddhist temple. Will his modern crime solving skills be up to par with that of these Zen masters? Director Marc Rosenbush was kind enough to give Toxic Shock TV an exclusive interview.

Marc Rosenbush Director

BC: Tell us a little about your background — where are you from and when did you decide that you wanted to become a filmmaker?
MARC: I was a theatre director in Chicago for most of my career. I've directed around 60 plays and run a couple of theatre companies. I moved to L.A. in 2001 to start making films, mostly because I got tired of spending a year or more of my life on a project, and then having it disappear after just a few weeks of performances, with only a few people having seen it. The cool thing about film is that it has a shelf life — I love the idea that someone in China can be watching my film 100 years from now.

BC: Who inspired you to become a filmmaker?

MARC: I've got a lot of director-heroes: David Lynch, Jim Jarmusch, Woody Allen, Francis Coppola, Stephen Soderbergh, Terry Gilliam, Darren Aronofsky, Jean-Pierre Jeunet... I could go on all day.

BC: Tell us about your latest film Zen Noir starring Duane Sharp and Kim Chan. Tell us about your experience writing, directing, and producing it.

MARC: Zen Noir is a strange, dark, funny Buddhist murder mystery. At first it seems to be a parody of hard-boiled film noir detective movies, but eventually it evolves into a dark, surreal exploration of some pretty heavy Buddhist ideas, in particular the question of how we deal with death and the fact that the only constant in the universe is change. That's my pretentious answer. My other answer is: if David Lynch, the Buddha and the Marx Brothers all took acid and made a low-budget movie together, this would be it.

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Article Author: Brian Corder

Filmmaker and Writer for Toxic Shock TV.

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