After A Full Artistic Life, Ingmar Bergman Lets Death Checkmate Him - Page 12

4. Fanny and Alexander (1983). Both the 188-minute feature and the 312-minute original are now part of the Criterion catalog.

5. His final made-for-TV movie, Saraband, a look back at the long-divorced characters in Scenes from a Marriage, is on DVD from Sony Pictures.

6. There’s an Ingmar Bergman collection by MGM: six DVDs of Persona, Shame, The Hour of the Wolf, The Passion of Anna, and the big-budget mess The Serpent’s Egg, with a 2002 interview with Bergman.

11. ALL HIS MOVIES

Apprentice Work:

  • Crisis (1946) (Kris)
  • It Rains on Our Love (1946) (Det regnar på vår kärlek)
  • A Ship to India (1947) (Skepp till Indialand)
  • Music in Darkness (1948) (Musik i mörker)
  • Port of Call (1948) (Hamnstad)
  • Prison (1949) (Fängelse)
  • Thirst /Three Strange Loves (1949) (Törst)
  • This Can't Happen Here (1950) (Sånt händer inte här)
  • To Joy (1950) (Till glädje)
  • Summer Interlude (1951) (Sommarlek)
  • Secrets of Women (1952) (Kvinnors väntan)

Maturity:

  • Sawdust and Tinsel (1953) (Gycklarnas afton)
  • Summer with Monika (1953) (Sommaren med Monika)
  • A Lesson in Love (1954) (En lektion i kärlek)
  • Dreams (1955) (Kvinnodröm) aka Journey Into Autumn

International Breakthrough:

  • Smiles of a Summer Night (1955) (Sommarnattens leende)
  • The Seventh Seal (1957) (Det sjunde inseglet)
  • Wild Strawberries (1957) (Smultronstället)

Period Movies:

  • The Magician/The Face (1958) (Ansiktet)
  • Brink of Life (1958) (Nära livet)
  • The Devil's Eye (1960) (Djävulens öga)
  • The Virgin Spring (1960) (Jungfrukällan) (won Academy Award for Best Foreign Language Film)

Absence-of-God trilogy:

  • Through a Glass Darkly (1961) (Såsom i en spegel) (won Academy Award for Best Foreign Language Film)
  • Winter Light (1962) (Nattvardsgästerna)
  • The Silence (1963) (Tystnaden)

Greatness:

  • All These Women (1964) (För att inte tala om alla dessa kvinnor)
  • Persona (1966)
  • Hour of the Wolf (1967) (Vargtimmen)
  • Shame (1968) (Skammen)
  • The Rite (1968) (Riten) (TV)
  • The Passion of Anna (1969) (En passion)
  • The Touch (1971) (Beröringen)
  • Cries and Whispers (1973) (Viskningar och rop) (won Academy Award for Best Cinematography)
  • Scenes from a Marriage (1973) (Scener ur ett äktenskap)
  • The Magic Flute (1975) (Trollflöjten), first shown on Swedish television, followed by a cinematic release
  • Face to Face (1976) (Ansikte mot ansikte)

After tax arrest:

  • The Serpent's Egg (1977) (Das Schlangenei)
  • Autumn Sonata (1978) (Höstsonaten)
  • From the Life of the Marionettes (1980) (Aus dem Leben der Marionetten)

Last Period:

  • Fanny and Alexander (1982) (Fanny och Alexander) (won 4 Academy Awards)
  • Karin's Face (1984) (Karins ansikte) (TV)
  • After the Rehearsal (1984) (Efter repetitionen)
  • In The Presence of a Clown (1997) (Larmar och gör sig till) (TV)
  • Saraband (2003) (TV)

Last work written for others:

  • The Best Intentions (1992) (Den goda viljan) (directed by Bille August)
  • Sunday’s Children (1992) (Söndagsbarn) (directed by son Daniel Bergman)
  • Faithless (2000) (Trolösa) (directed by Liv Ullmann)

 

SOURCES:

Bergman on Bergman: Interviews with Ingmar Bergman — by Ingmar Bergman (Author) and Stig Bjorkman, Torsten Manns, Jonas Sima (Collaborators); Simon & Schuster; First US edition (1974)

"Ingmar Bergman: Summing Up a Life in Film" by Michiko Kakutani, New York Times Magazine, June 8, 1983

Continued on the next page Page 1Page 2Page 3Page 4Page 5Page 6Page 7Page 8Page 9Page 10Page 11 — Page 12 — Page 13

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Article Author: Adam Ash

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Article comments

  • 1 - El Bicho

    Aug 02, 2007 at 12:28 am

    Great piece.

  • 2 - High Heels

    Aug 02, 2007 at 8:15 am

    This is a terrific and comprehensive overview, combining biography and ouevre beautifully... required reading!
    Thanks!
    HH

  • 3 - Adam Ash

    Aug 02, 2007 at 8:33 am

    A friend emailed me this nice insight after he read my piece:

    "it comes down to nakedness for me.
    i think the artist is only fully realized,by his courage to stand naked before his audience and share himself,pain,passions,phobia,pharts and all.
    bergman was the most naked film maker ever.
    was there another who ever understood women better or (or perhaps more appropriately),understood his female side better?
    all the questions that plagued him all his life,finally answered.
    thanks for sharing"

    Adam Ash.

    P.S. Thank you, High Heels and El Bicho.

  • 4 - Lisa McKay

    Aug 02, 2007 at 10:05 am

    One of the finest pieces I've read on Bergman in these past several days, Adam. Thank you.

  • 5 - Aaron Fleming

    Aug 02, 2007 at 6:15 pm

    Sublime obituary. He will be missed.

  • 6 - Ingmar Fan

    Feb 18, 2008 at 11:29 am

    Well done Adam, first time I've come across this piece. It's very informative.

  • 7 - bliffle

    Feb 18, 2008 at 2:37 pm

    Excellent article.

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