Home / Thoughts About The Sopranos and Some Predictions for the Series Finale

Thoughts About The Sopranos and Some Predictions for the Series Finale

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As an Italian American, I have sometimes had issues with this show because of the violence and the derogatory way Italians have been depicted over six seasons. I particularly recall one episode where some of Tony Soprano’s gang made a big deal about Columbus Day, and it seemed to me incongruous and condescending for these gangsters to be worried about any American holiday, since the essence of their lives was going against the fabric of society and cheating the system to earn a living.

Yet, as the series draws its last breaths (as do some of the characters), I have had sort of a feeling of peace about the depiction of Italian Americans, for one because of the way that Tony and company have been more clearly shown to be brutes and thugs and not people to be idolized, but also because of Dr. Jennifer Melfi’s awakening (a long time coming) that no matter how often you try to clean dirt, it is still dirty. Whether or not she had delusions of altering Tony’s behavior to the point that he would become a choir boy (hey, shouldn’t a Soprano be singing?), Melfi has always been the most intriguing character for me. On the periphery of Tony’s violent and evil world, she can only observe as we have, and even after she is raped she fails to ever call in any favors from Tony, for her ethical standards are as high as Tony’s are low.

During the course of the series we also have seen Tony’s long-suffering (sorry, I can think of no better adjective here) wife who has evolved from the first season. No longer an elegant ostrich with her head in the sands of jewelry, furs, and the fancy house, Carmela has shown perseverance in the face of terrible tragedy and a resilience that is remarkable when compared to Tony’s almost child-like whining and complaining. She is actually the typical Italian mother: good cook, nurturing, loving, and the glue that holds the family vase together (no matter how many times it is shattered). Even Tony knows that without Carmela he would be nothing, though at times it seems he doesn’t care one way or the other.

Now, as the series ends and the manicotti hits the fan, Tony’s men are falling left and right, and one wonders if Tony is next. There is a string of dead bodies in this series starting with season one that threads its way through the fabric of the story, slowly tightening and creating a noose around Tony’s neck. So, is it only a matter of time for him? Does he get away with it?

No matter how much he might like to disguise himself as a “business man” and the head of a “waste management” company, Tony has blood on his hands. Lots of blood. Friends, family, associates, and innocents have all fallen because of him. The cruelest deaths have been Adrianna’s (since she was a canary in a coal mine from the day she met Christopher) and Christopher himself, who was a murderous thug to be sure but died pathetically. Tony’s offing his nephew clearly defined his true nature as cold-blooded killer, his redemption never seeming more impossible than at that moment.

Whatever happens on Sunday night, The Sopranos has been must-see television, even if at times I was angered by what I saw. There were also times where the narrative slowed down to a crawl, but this can be attributed to David Chase’s sense of the big picture in terms of scope, like a classic novel taking its time to get to the climax. I can think of some lengthy sections in classics like Herman Melville’s Moby Dick that do nothing for the main storyline, but since it is Melville, attention and respect must be paid. I would say the same holds true for Chase, who has never allowed his artistic vision to be compromised despite all the sound and fury from the fans and critics. I say “Bravo!” to him for the courageous and wise course he has taken with this series.


1. Tony Turns Terrorist Fighter

Tony is already armed with the AR-10 and could assist Agent Harris in getting the bad guys. There have been hints all along about the FBI wanting info on these terrorists, and even in the last episode Tony was looking at AJ’s computer screen where there was something about terrorism. It would be an odd twist, but Tony could move in a whole different direction here.

2. Tony Gets Whacked

Since the opening credits start with Tony’s point of view in the car coming into New Jersey from New York, I always thought that the last scene could be of Tony at the toll booth going the other way. As he takes his receipt Phil’s men jump out from behind the booth and shoot him into the next world like Sonny Corleone in The Godfather. This would be perhaps the most fitting (and satisfying) way for him to go, just like Melville's Ahab meeting his end with the whale of his obsession.

3. Tony Sings a New Song

I have always felt that the last name of Soprano was intentionally used. Even when Uncle Junior was singing his heart out in the Italian restaurant, I remember Tony’s expression; he looked like it was painful for him to listen. Yes, Junior was no Sinatra, but I think the reason Tony was wincing was because the thought of “singing” was so repugnant to him. Yet, when faced with annihilation of his family (he has told Dr. Melfi his family means everything to him), Tony just might turn and give up everything in return for the safety and security of Carmela and the kids. Instead of going out in a blaze of gunfire like a movie gangster, Tony’s end would be inglorious (and quite fitting) indeed.

4. Tony Gets Into Acting

Tony runs away to New York and tries out for bit parts, eventually snagging the lead in the musical version of Shrek. The good news here is besides some green paint and funny ears, he will save the make-up department lots of money. Tony has honed his acting skills over the years, especially lying to Carmela. This might be the easiest way for him to become a member of society.

5. Tony Goes Rambo

Tony comes downstairs the next morning and finds all his buddies dead. With the AR-10 in hand, Tony goes gunning for Phil and his crew and takes them all out. As Tony stands with corpses all around him and the gun in his hand, Agent Harris and company arrive and arrest him. There will be no getting out of this one, no Teflon Tony as in days past. He is caught and this will send him to jail forever. Whether this leads Tony to think about what is mentioned in Number 3 or not remains to be seen.

6. Carmela and Janice

After Tony gets whacked, Carmela and Janice decide to pick up the pieces and run what’s left of Tony’s business. Paulie is a big help here as he knows what to do and when to do it. By default, Paulie finally rises to the top of the organization and is Carmela’s right-hand man. AJ gets a pair and helps Mom out, and Meadow decides to become Carmela’s consigliore. This actually could become a spin-off, something weird like Hope and Faith meet Twin Peaks. I know this will never happen, but I can dream.

7. Kevin Finnerty

After Tony was shot and in a coma, we got the story of Kevin Finnerty: legitimate businessman who seemed to have lost his way. Wouldn’t it be a blast that the series ends with Tony getting shot, and as he is dying we switch to a scene of Kevin Finnerty snapping out of his own coma. There has never been a Tony Soprano (or any of the others either). It’s all been Kevin caught in a tornado and falling into the land of The Wizard of Mob. All the times we have heard Tony whining that “this is a business” has really been poor little Kevin’s way to get out and back because there’s no place like home. Hey, if Dallas could have Pam waking up to find the supposedly dead Bobby taking a shower (meaning the whole season was a dream), and Bob Newhart could wake up to find Suzanne Pleshette in his bed (a wife from another series making the entire Newhart series a dream), why can’t David Chase do this? It would be totally unexpected and a real shocker that everyone would hate and never forget.

Well, those are my thoughts of possibilities more than they are true predictions. I hope everyone enjoys the series finale. It will be something long-time fans have to see, and some day everyone else will be able to catch up when it’s on DVD. Until then, we can get the popcorn ready and leave the clean-up for the next morning, because no matter which way it goes, I think some of us will be jumping out of our seats.

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About Victor Lana

Victor Lana's stories, articles, and poems have been published in literary magazines and online. His books 'A Death in Prague' (2002), 'Move' (2003), 'The Savage Quiet September Sun: A Collection of 9/11 Stories' (2005), and 'Like a Passing Shadow' (2009) are available in print, online, and as e-books. His latest books 'If the Fates Allow: New York Christmas Stories,' 'Garden of Ghosts,' and 'Flashes in the Pan' are available exclusively on Amazon. He has won the National Arts Club Award for Poetry, but has concentrated on writing mostly fiction and non-fiction prose in recent years. He has worked as a faculty advisor to school literary magazines and enjoys the creative process as a writer, editor, and collaborator. He has been with 'Blogcritics Magazine' since July 2005 and has written well over 500 articles; previously co-head sports editor, he now is a Culture and Society editor. Having traveled extensively, Victor has visited six continents and intends to get to Antarctica someday where he figures a few ideas for new stories await him.
  • MIke

    I particularly recall one episode where some of Tony Soprano’s gang made a big deal about Columbus Day, and it seemed to me incongruous and condescending for these gangsters to be worried about any American holiday, since the essence of their lives was going against the fabric of society and cheating the system to earn a living”

    That was the point. Part of the appeal of the show was that it constantly pointed out the characters hypocrisy. There are literally hundreds of examples of this throughout the shows run. David Chase himself always said that 99% of what comes out these characters mouths are lies

  • Interesting thoughts, Victor. You’re a braver man than me. My own feeling is Tony’s son will inherit the “Throne”, in some sort of allusion to the decline and eventual fall of the Roman empire. Whether Tony lives or dies is almost a moot point. His rule is over, and however it turns out, it will end on a grim note. The power will pass on to a successor, and we’ll be left with the feeling that the decadence will live on.

  • I’m predicting Tony will survive, but Carmela will not … Soprano Predictions: Tony’s Family

  • Interesting idea, Paul. If that is the case, Tony will be is good as dead, and that may be the whole point. If something happens to his wife or one of the kids, Tony has nothing left.

    I also like the idea about AJ. Remember, he is his father’s son (Tony had those attacks as a kid too). Wouldn’t it be weird if AJ surprises everyone just like Michael Corleone. Bang-zoom!

  • Maureen McCole

    Tony is going to find out (maybe from Paulie) that Uncle Junior is his real father. (Junior and Tony’s mother had had an affair which produced Tony.) Uncle Junior is not senile but has been acting as if he is to elude jail time. Uncle Junior is the rat who is working with the NY Mob to oust Tony and his crew so that Junior can reclaim the New Jersey Mob Throne denied to him earlier.

    Uncle Junior will be the unexpected visitor who will off Tony and will gain control of New Jersey.

  • Maureen, I’ve thought about that over the years. I don’t think Uncle Jun knows it because he wouldn’t try to kill his own son, but Livia knew it and that would really make her like Lady Macbeth.

    I was wondering if Junior would just fade away in the state facility, but this would be quite an interesting turn.

    I’d also bet that Paulie knows lots more than just this. He is going to be key in the finale.

  • Bradley Varcoe

    I like Maureen’s comments. I think that Uncle Jun has been avoided this season for a reason. I think that he will be the pinnacle for the series finale. I am not sure how he plays into the the finale, but I know this….. He can not be left to rot in the Psychiatric Hospital. Remember, AJ came to avenge the attempted murder of his father. I wouldn’t be surprised if Junior did turn to New York to get revenge for AJ’s actions. Although, I also think that the whole set of Kevin Finnerty episodes may mean something in the finale as well. Maybe, Tony see’s his death and this is what pulls Kevin Finnerty out of his coma and he wakes to Carmella’s face with AJ and Meadow by his bedside. Just a few ideas….. What do you think?

  • I think you’re onto something, Bradley. At first I dismissed the whole Kevin Finnerty thing, but it started really getting into my thoughts and the actions (and all the confusion about identity) got me. I wouldn’t be surprised by Tony not being Tony. I know people would hate it, but he would have been in a coma and all the seasons were some kind of dream or whatever.

  • PeterJ

    After watching the last episode of the “Sopranos”, having listened to all of the hype surrounding the following show, “John From Cincinatti”, and keeping in mind the arrogance and thoughtlessness displayed by HBO through its’ actions in the past year I immediately went to my pc and cancelled HBO. Gone, for good. I wasn’t about to pay for a channel whose programming has turned to showing movies which were past their prime long ago and sophomoric sex shows about cheesy cat houses while truly entertaining and adult shows such as “”Carnivale”, “Deadwood” and “Rome” were cast aside.
    At least they had the courtesy to inform us and give “Rome” an ending, although I can’t grasp why they ended the show prematurely, maybe it was just too deep for them. Perhaps no one told them that there really was a Roman Empire, that it wasn’t fiction at all. They didn’t need to bust their balls trying to ‘figure out’ the next season, it was already written out for them in what’s called “history books”. In any event, for reasons known only to them, “Rome” ended. Not at all like Carnivale and Deadwood. Both shows again, somewhat historically significant, “Deadwood” offering us a glimpse at what the birth of an actual gold town in the midwest was like, “Carnivale” a dark sinister fictional show set in the Bible belt during the Great Depression was also one of the best productions HBO had to offer. We left both of these shows at the end of the season anxiously speculating what next year held in store. With disbelief I heard that the shows were dropped. I searched the internet and sure enough they were gone. How could this be? When you commit yourself to a series you become entwined, you find yourself identifying with characters and the next episode is on your “to do” list. For HBO to thoughtlessly drop these shows as though they owed their paying subscribers nothing was a slap in the face. I wasn’t about to so much as spend one more cent in support of these type of tactics.
    Oh, I know that this practice had long been established at HBO. Network station CBS had even come to pulling this ploy with a show called “Jericho”, although I have a feeling that this action may have been politically motivated.
    But I don’t have to pay to watch CBS and I no longer have to pay to watch HBO. I have a feeling that I’m not going to miss it one bit.

  • Thanks for the comments, Peter J. I don’t understand the rationale for networks and cable TV either. They put a new show on and then yank it off, sometimes after only one or two episodes. I do think shows get more of a chance on cable, but I can’t explain what happens when they pull the plug.

    I guess it’s kind of like when someone wants to end a relationship, even if things are going very well. No matter what, that person has to pull the plug. So, you did the same thing with HBO. ZGood for you!