Today on Blogcritics
Home » Culture and Society » Arts » Theater » Theater Review (Seattle): Rent by Jonathan Larson at the 5th Avenue Theatre

Theater Review (Seattle): Rent by Jonathan Larson at the 5th Avenue Theatre

Please Share...Tweet about this on Twitter0Share on Facebook0Share on Google+0Share on LinkedIn0Pin on Pinterest0Share on TumblrShare on StumbleUpon0Share on Reddit0Email this to someone

Jonathan Larson’s ambitious, if not entirely unproblematic Rent closes out the 5th Avenue Theatre’s season on a triumphant note, with an able and committed young cast breathing new life into the rock opera. Rent, pushing two decades old these days, can seem a little quaint in its unabashed earnestness, but there’s no denying the emotional power embedded in numbers like “Another Day” and “Without You.” I’ll probably never be completely sold on the score’s frequent stylistic jackknifing or Larson’s well intentioned but often toothless social commentary (I’m looking at you, “What You Own”), but in the 5th’s hands, Rent is a consistently engaging production.

The company of RENT celebrates “La Vie Boheme” at The 5th Avenue Theatre. Photo: Mark KitaokaSet in New York’s bohemian Alphabet City in an era when the scourge of AIDS had just begun to rear its ugly head, Rent focuses on a group of squatters in an abandoned loft and the tight-knit community of artists and outcasts they form together. Roger Davis (Aaron C. Finley) is an erstwhile musician who’s given up on his dream and just about everything else when he meets a dancer named Mimi (Naomi Morgan), whose heroin addiction looms large. Anarchist and intellectual Tom Collins (Brandon O’Neill) falls for magnetic drag queen Angel Dumont Schunard (Jerick Hoffer). On-again, off-again Maureen and Joanne (Ryah Nixon, Andi Alhadeff) struggle to move past Maureen’s wandering eye and Joanne’s uptightness. Mark Cohen (Daniel Berryman) is an aspiring filmmaker and the show’s narrator who documents a year in the life of his friends.

Hoffer is simply stunning as Angel, and just because that’s the character that tends to be the show’s centerpiece doesn’t mean getting there is a foregone conclusion. Hoffer’s effortless vocal range and skill at evoking both sass (“Today 4 U”) and sentiment (“I’ll Cover You”) is extraordinary. O’Neill is a bit of an unconventional casting choice as counterpart Collins, but he owns the role completely, culminating in an enormously moving reprise of “I’ll Cover You” near the show’s end. Similarly, the chemistry between Nixon and Alhadeff is palpable, and their brassy, confrontational “Take Me or Leave Me” sees the sparks fly.

Director Bill Berry, working with a staging that gives the ensemble a bit more stage presence, keeps the action focused while allowing for multiple levels of diegesis to take place on the margins. It’s never chaotic, but it’s constantly giving audience eyes the opportunity to roam. Martin Christoffel’s scenic design consists primarily of functional scaffolding, but setting it beneath a massive highway overpass creates the feeling of an imposing urban prison.

Thursday’s opening night performance wasn’t without some performance and technical jitters including a massively blown note on a “Seasons of Love” solo and some spotlight operating that was several steps behind, but with this impressive cast, it’s a safe bet that Rent fanatics will be slotting this production somewhere near the top of their favorites list.

Rent is on stage at the 5th Avenue Theatre through Aug. 19. Tickets are available for purchase at the 5th’s website.

Powered by

About Dusty Somers

Dusty Somers is a Seattle-based editor and writer. He is a member of the Online Film Critics Society and Seattle Theater Writers.
  • EH

    It was terrible. We left at intermission as did quite a few others.

  • Red

    I also left at intermission. I was totally disappointed and as a 20 year subscriber with the 5th Avenue, I am definitely rethinking renewing my membership.

  • Alkileo

    I have no idea what drugs the reviewer was taking when he did this write up, but we went to this show last week and it was awful. And I don’t mean awful as in “awful,” it was “I can’t wait to get to intermission so we can leave AWFUL!” And it was not just us. Employees at the hotel we parked at made the comment that they saw many people leaving at intermission each night. That should tell you something!!! I wouldn’t cancel my subscription to the 5th Avenue, but I’d sure let them know my displeasure about this production. VERY BAD!!