Home / The Haunting (1963)

The Haunting (1963)

Please Share...Print this pageTweet about this on TwitterShare on Facebook0Share on Google+0Pin on Pinterest0Share on Tumblr0Share on StumbleUpon0Share on Reddit0Email this to someone

There seem to be two kinds of horror movie watchers: those who hated The Blair Witch Project and those who loved it. For the latter, like myself, who prefer smart psychological tension over brainless gore and the all-too-easy manipulation that comes from awaiting something jumping out of the dark, I offer up an insistent suggestion to find and watch the original 1963 version of The Haunting.

This movie knows what so many imbecilic horror filmmakers of today can’t seem to understand, that the scariest things imaginable are the unseen. Sound is used magnificently in the film, much like in an old radio show, where aural clues allow the audience’s own imaginations to craft their own visions of the terrors hounding the film’s characters. The wonderful result of this is that the audience feels as though they’re one of the people in the house and not simply watching a movie. Picture being in a huge, scary old mansion…at night…alone…in the dark…in the cold…and something that’s causing an inhuman pounding is coming down the hallway toward you. That’s the way this movie plays, and as a result it’s one of the absolute scariest films I’ve ever seen simply because you never SEE the ghosts, you only perceive the occurrences they cause.

After seeing the original, Twister director Jan de Bont’s 1999 The Haunting remake is almost moronic in comparison because de Bont doesn’t appear to understand that seeing CGI ghosts, moving statues, animating skeletons and the like are nowhere near as terror-inducing as NOT seeing them! The most impressive CGI that could ever be possible is still no match for the horrors that lurk in the subconscious mind.

Also, unlike de Bont’s remake, director Robert Wise’s original actually gives each of the characters a purpose to be in the story. Theo isn’t just some thrill-seeking bi-sexual; in the original film she has strong ESP and is invited to the house for that reason. Throughout the occurrences she’s the one who “senses” when something’s about to happen. The sexual orientation of her character is played very subtly, not as a main character trait but to add tension in a kind of “love triangle” fashion when Eleanor (again, the key word here is “subtly”) begins to show signs of an infatuation with Dr. Markway. Even Luke has a solid purpose in being at the house (more than just as comic relief, anyway). He’s an arrogant playboy who stands to inherit Hill House and wants to see for himself how much money he stands to make from its sale, as well as prove wrong the absurd rumors of its “haunted” condition.

If you’ve ever been scared by a sound in the night that you weren’t exactly sure what it was, 1963’s The Haunting is sure to chill you. Some houses may be “born bad” but it takes a lot of restraint and skill to make a movie this good.


Powered by

About Sombrero Grande

  • Jeff

    I just watched ‘The Haunting’ (1963) for the first time last weekend. I thought it was great. It left a lasting impression on my mind, which many movies fail to do.

  • Anthony

    I saw this movie about 35 – 40 years ago, it left an impression that I never forgot, I just ordered the dvd and can’t wait to watch it again.
    Probably the scariest movie I ever saw.

  • John G.

    Robert Wise’s “The Haunting” is a wonderful haunted house film. I would go so far as to say that it is the greatest one made, and will probably never be topped.

    This movie knows that less is more, and that the viewer’s mind can conjur up something much more frightening than anything the filmmakers could show on the screen.

    There are few films I go to for a good scare, and “The Haunting” is always Number One.

    The remake, of course, is regrettable and unnecessary.

  • The original Haunting is incredible.Does anyone know where to watch it online?