Our wallets and credit cards sure are getting a workout lately, aren't they? Yet another astounding heavy release week – prepare to see a lot of these kinds of weeks for the next couple of months. I'm not complaining, however. Are you?
Across the Universe – Original Soundtrack: The music of the Beatles’ catalog of the late 60s is used to illustrate the story of two young people who fall in love, then deal with the effects of the Vietnam war on their lives. There’s a catch, however: the songs are sung by both the actors in the movie as well as several prominent musicians who have parts in the movie. The film itself is getting mixed reviews, but the soundtrack appears to be at least an intriguing mix of musicians (Bono, with and without the Secret Machines, Joe Cocker, among others) and actors who sing (Evan Rachel Woods, Jim Sturgess, Salma Hayak…) Not sure how it all works out in terms of musical satisfaction, but if you’re going to pick this up, seek out a Best Buy, who has an exclusive two-disc version of the album with 15 extra songs from the film – for a ridiculously low $9.99.
John Coltrane – Interplay Box Set: Prestige is adding to their collection of fine Coltrane box sets (Fearless Leader was released last year) with this 5-disc set dedicated to his sessions as a sideman to many of jazz's elite before becoming one of those elite himself.
Counting Crows – August and Everything After Deluxe Edition: This edition expands the now-classic original album with a couple of non-album tracks, demos, and a full 80 minute concert from December, 1994, along with extensive liner notes and a fold-out poster.
David Gilmour – Remember That Night: Live at the Royal Albert Hall: If anyone else was watching VH-1 Classic this weekend (and I might be the only one still checking to see what this sadly fallen-from-grace channel is broadcasting anymore), you might have caught the special on David Gilmour's Remember That Night DVD, which comes out today. If not, it's not like you missed out on too much, since what was shown is part of the two-DVD set, but if you were on the edge like me – having been seriously underwhelmed by his 2006 album, On an Island – it might have tipped you over to the "buy" side.
As I said, I found Island to be far too mannered, even for Gilmour, to really capture my attention. But I have to admit that it is a vehicle for some fantastic solos from the man. Live, however, the material was said to be much more driving and pleasing by those who saw the shows, and now that I've seen some glimpses of it from the "Road to the Royal Albert Hall" documentary VH1C showed, I can attest to that. Simply put, the material gains some much needed spontaneity and soul that I found lacking in the album's recording.
After watching the doc, I'm thankful that there is a second version of "Comfortably Numb" that does not have David Bowie crooning all over it, as is on the concert-proper on DVD 1. I like Bowie, but from what I saw of him on this track in the doc, I didn't think he particularly did the song justice. I did like, however, seeing the little bit of British progressive weirdo Robert Wyatt adding his cornet to "Then I Close My Eyes," as he did on the album, not to mention the significant presence of David Crosby and Graham Nash on a number of tunes from the album. The show is as beautifully shot as it was recorded.
Also intriguing in the doc is a short scene in which Gilmour and Roger Waters, who both somehow happened to be rehearsing for their respective tours at the same site, meet up and talk for a short while. Not much of this meeting was shown, but it was clear from what I saw that Gilmour is almost certainly the reason there will be no Pink Floyd reunion – he looked about as uncomfortable as possible. The warmth he showed toward Waters was not that of an old friend. It was more akin to two homeowners talking about neighborhood happenings, rather than a meeting between two men who spent the better part of two decades together. Very tense, uncomfortable meeting – and Gilmour plainly wants little to do with Waters.