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Playwright Paula Vogel (‘Indecent’ on Broadway) in Conversation with Linda Winer
There has been such enthusiasm for the production since Yale (2015) that the ensemble, the musicians, the stage manager, and the assistants have remained together. As Vogel says, “We’ve all moved together as one.”
Read More »Theater Review (NYC): ‘A Hunger Artist’
Boisterously funny and chokingly sad, Sinking Ship Productions' new adaptation of Franz Kafka's short story follows the original rather closely, yet through pure showmanship it defies expectation at almost every turn.
Read More »Theater Review (NYC Off-Broadway): ‘The Whirligig’ by Hamish Linklater
Linklater's new tragicomedy doesn't sustain its dreamy magic consistently, but it offers much to appreciate.
Read More »A Day of ‘Hamilton’ with Students and Teachers at the Hamilton Education Program in New York City
'Hamilton'-inspired poems and songs by NYC high school students preparing to see the Broadway musical reminded us that we must continue to fight for freedom.
Read More »Theatre Review (Singapore): ‘Sister Act’ the Musical from Base Entertainment
'Sister Act' is a fabulous musical you shouldn't miss. Good acting, great music, wonderful costumes, funny lines and emotionally effective scenes are all reasons you'll agree with Deloris when she sings, 'Nothing's ever gonna change that fact. I'm part of one terrific Sister Act.'
Read More »Voices from Hollywood Fringe 2017: Exclusive Interview – Kat Primeau, Producer/Performer of ‘TURBULENCE!’
The show’s producer/performer talks about this year’s Fringe World Premiere musical comedy.
Read More »Theater Review (NYC): Mint Theater Revives ‘The Lucky One’ by A.A. Milne
Though his ongoing fame today rests almost entirely on his writing for children, especially the world of Winnie the Pooh, A.A. Milne (1882-1956) was a literary polymath who had a successful career on the London and Broadway stages in the 1920s. The Mint Theater reminds us with the first New York revival of this "serious comedy," a character study of two brothers.
Read More »Theater Review (NYC): ‘Broken Bone Bathtub’ by Siobhan O’Loughlin
With a just balance of talent and charm O'Loughlin invites us into the most intimate of nonsexual activities – and makes us comfortable doing it.
Read More »Theater Review (Off-Broadway NYC): ‘Iphigenia in Splott’ by Gary Owen
A typhoon of a performance by Sophie Melville drives toward – and justifies – a wrenching twist. Directed with just-shy-of-frantic energy by Rachel O'Riordan, Sophie Melville's Effie is a raw slice of humanity, baring her ragged soul and bringing us her milieu, a few of the people in her life, and a critical encounter with a war veteran that bends the arc of her history toward, if not justice, a kind of heroism.
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