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141
Theater Review (NYC): Squiggy and the Goldfish by Lenny Schwartz and Ore, or Or by Duncan Pflaster
The oddly titled "Ore, or Or" is an artfully constructed, well-aimed, and resonant story of a modern New York City love triangle.
Judas is on trial again in an excellent student production.
143
Theatre Review (LA): Trafficking in Broken Hearts by Edwin Sanchez at the Celebration Theatre
Hustling and looking for love on 42nd Street before Disney and Giuliani cleaned it up.
144
Theater/Dance Review (NYC): Le Serpent Rouge by Austin McCormick and Company XIV
This extravagant, sexually charged dance-theater piece is a visionary re-imagining of the story of Adam, Eve, and Lilith.
145
Glee, Rock of Ages, and the Show-Tunification of Classic Rock and Pop
Songs by Journey, Whitesnake, and even Amy Winehouse are becoming show tunes.
146
Theatre Review (LA): Make Me A Song: The Music of William Finn at The Covina Center for the Performing Arts
A musical based on the music of William Finn, composer of Falsettoland, plays the 'burbs.
147
Theatre Review (LA): Rantoul and Die by Mark Roberts at the Lillian Theatre
A wacky, funny play from Mark Roberts of Two And A Half Men fame.
148
Theatre Review (LA): Setup & Punch by Mark Saltzman at the Blank Theatre
Emmy-winner Mark Saltzman's new play features music by Berton Averre of The Knack.
149
Theatre Review (LA): Dirty Dancing - The Classic Story On Stage by Eleanor Bergstein at the Pantages Theatre
The stage version of the hit movie comes to Los Angeles, and it's a knockout.
150
Theater Review (NYC): Mare Cognitum by David McGee
Despite a spiritual awakening and a trip to the Moon, not enough happens in this promising but frustrating play.
BC Writer of the Day