The Amoralists' latest play tackling mass murder is an artsy study of two isolated characters in search of an elusive peace of mind.
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Theater Review (NYC): ‘Nibbler’ by Ken Urban
A grimly funny, magic-realist portrait of a group of new high school graduates at that scary moment of first flight, assessed and conveyed with the wisdom of hindsight and painted with the brush of an artist.
Read More »Theater Review (NYC): ‘Utility’ by Emily Schwend
Schwend is marvelous at depicting the quotidian details that harass struggling families in The Amoralists' new production, and Vanessa Vache gives one of the year's standout performances.
Read More »Theater Review (NYC): ‘The Bad and the Better’ by Derek Ahonen
The new show from The Amoralists makes a delightfully intense fuss before riding rather off the rails.
Read More »Theater Review (NYC): ‘Bring Us the Head of Your Daughter’
A married pair of lesbians has raised a cannibalistic serial killer. Must be a show by The Amoralists.
Read More »Theater Review (NYC): Happy in the Poorhouse
The Amoralists shift the action from the Lower East Side to Coney Island, with mixed results.
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