As it manages artists and tours the agency works to facilitate cross-cultural exchange of music, opera, dance and more while building careers.
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Opera-Theater-Dance Review: ‘Messy Messiah’ by Heartbeat Opera
A first-rate, meticulously crafted operatic holiday revue with glorious singing and dancing, just what we need in dark times.
Read More »Opera Review (NYC): Teatro Nuovo’s ‘The Barber of Seville’ Outdoors at Lincoln Center
Opera returned to NYC with a superb semi-staged production outdoors at Lincoln Center starring an array of excellent, big-voiced up-and-comers.
Read More »Exclusive Interview: Maestro David Stern on Opera Fuoco’s ‘Figaro in the City’ and Palm Beach Opera’s Live-Audience Return
The conductor spoke with us about reimagining opera for a young video-obsessed generation, and about the challenges and rewards of staging live opera with an audience during the COVID-19 pandemic.
Read More »Review: Boundary-Stretching Opera and Song Cycles at Prototype Festival
Three productions stretched the boundaries of the opera and the song cycle at this year's Prototype Festival.
Read More »Music Review: ‘The Wake World,’ Award-Winning Opera by David Hertzberg
David Hertzberg's hallucinatory choral fantasy based on an Aleister Crowley fairy tale makes a vividly imaginative statement even in an audio recording.
Read More »Operetta Review: ‘The Mikado’ from the New York Gilbert and Sullivan Players
NYGASP's 'Mikado' is replete with clever updates, but its rich flowering of stage basics is what makes it a great Gilbert and Sullivan production.
Read More »Opera Review (NYC): Weber’s ‘Der Freischütz’ from Heartbeat Opera
In Heartbeat Opera's smartly staged and beautifully sung reimagining of Der Freischütz, the mystical story Weber adapted from a supernatural folk tale resettles comfortably in the American South.
Read More »Opera Review: ‘Murasaki’s Moon’ by Michi Wiancko
This one-act opera dramatizes the genesis and composition of 'The Tale of Genji.' With emotionally penetrating music and glorious singing, On Site Opera's production has as much to say about our modern world as about ancient Japan.
Read More »Opera/Theater Review (NYC): ‘4.48 Psychosis’ by Philip Venables, Based on the Play by Sarah Kane
Philip Venables' opera based on Sarah Kane's last play, '4.48 Psychosis,' is a raw, energizing dive into the maelstrom of mental illness.
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