Thursday , March 28 2024
More than just (500) Days of Blue Valentine, I loved this movie Like Crazy.

Sundance 2011 Film Review: Like Crazy

At the 2010 Sundance Film Festival I saw a film called Douchebag from director Drake Doremus. I have somehow not noticed that another film I just saw at this year’s festival is also from Doremus. I loved both of them for very different reasons. In Douchebag I loved the relationship between the Brothers Nussbaum because it was so natural and felt almost too real at times. Now, with Like Crazy, comes a film about the age-old boy-finds-girl-loses-girl-finds-girl-again scenario that just may be one of the most honest portrayals of young love Paramount Pictures has ever paid for.

 


 

While neither Douchebag, nor any of the rest of Doremus’ films (Spooner, Moonpie), have received proper distribution (Moonpie is available on DVD and Spooner will be released on March 15), if it weren’t for the appropriately titled Douchebag (one of the brothers most definitely is) it, too, could definitely find an audience all its own. Now with Like Crazy, it seems maybe the studios have found more confidence in Doremus’ naturalistic approach to directing and his mostly improvised dialogue, which is probably why I find his films to be so realistic. 

In Like Crazy, we find American Jacob (Anton Yelchin) and British Anna (Felicity Jones) meeting-cute while she’s delivering a speech in class. After not being able to take their eyes off each other in class, she leaves a note on his windshield along with a disclaimer that he not think she’s a total nutcase. They go out for coffee and kick start a whirlwind romance of romantic proportions.

Eventually, we learn that she’s here with a student visa and must return home for the summer. Neither of them thinks they can bare this burden and she decides to stay until she has to return home for a wedding. Barely able to keep apart, Anna returns to the States only to find herself banned from entering after violating her student visa. Now she must return to England and let the long distance relationship pitfalls commence.

It’s a good thing this film has its cast and director. It also doesn’t hurt that so many of the scenes were improvised – proving just how good its cast really is. Aside from Yelchin and the mesmerizing Jones, Ben York Jones returns for a third outing with director Doremus and last year’s Sundance fave; Winter’s Bone’s Jennifer Lawrence (just nominated for Best Actress by the Academy) even pops up as a girlfriend-of-convenience for Jacob when he’s not trying to make things work with Anna. Also, Alex Kingston and Oliver Muirhead give hilarious performances as Anna’s parents and Charlie Bewley as Anna’s new boyfriend brings a new brand of awkwardly priggish to the table.

 


The only thing that really doesn’t work quite as well as the rest of the film is its No Ending. While it feels almost like a bit of a let down and slightly a cop out, there’s 99.99% of a fantastic movie that some may wind up not getting to see as it will surely get rated R without some trimming. With a PG-13 surely broadening its appeal, it would undoubtedly only wind up killing the film’s honesty. Once Like Crazy finally gets a wide berth, be sure to catch this one as you will doubtfully find a better date flick all year. 

 

 

Like Crazy will screen on Friday at 6:30 p.m. at Peery’s Egyptian Theater in Ogden and on Saturday at 8:30 a.m. at the Egyptian Theater in Park City.

Photos courtesy Paramount Pictures

About Cinenerd

A Utah based writer, born and raised in Salt Lake City, UT for better and worse. Cinenerd has had an obsession with film his entire life, finally able to write about them since 2009, and the only thing he loves more are his wife and their two wiener dogs (Beatrix Kiddo and Pixar Animation). He is accredited with the Sundance Film Festival and a member of the Utah Film Critics Association.

Check Also

Upright

ATX TV Review: Downunder Series ‘Upright’ Premieres and Judd Apatow Likes It

'Upright', an eight-part mini-series from Australia, brings laughs, charms, and music to SUNDANCE NOW