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Stevie Nicks: The Bad Break-Up Cure

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You know the drill. Your relationship with a significant other just ended. You find yourself lying on the couch, an empty bag of Oreos clutched in both hands and Love Story paused on the DVD. If only someone understood your pain. If only someone shared your agony. If only a short blond woman would record a series of multi-platinum songs chronicling soul-crushing break-ups and the general misery of love so you could experience some much needed vicarious relief.

You may be on your own with those first two “if onlys” but Stevie Nicks has got your back on the last one, offering up 35 years worth of truly great kiss-off music, perfect for easing even the toughest break-up. How effective are her songs? Let’s just say she’s the one Johnny Cash would have turned to if he ever needed his romantic frown turned upside down.

Both as a solo artist and with Fleetwood Mac, Nicks has penned some of the finest “I hate you, I love you, no, wait, I’m pretty sure I hate you again” music this side of Puccini. For anyone who has been dumped, her songs offer a vituperative cure for rejection. You know Stevie will get revenge on the man who done her wrong… and your psyche is going to be geeked about riding shotgun.

Take, for example, “Silver Springs,” a song Nicks originally wrote for Fleetwood Mac’s mega-platinum Rumours, an album recorded during Nicks’ break-up with long-time boyfriend and Fleetwood Mac guitarist Lindsey Buckingham. The song was left off the album, but Nicks successfully resurrected it as part of Fleetwood Mac’s live reunion album, The Dance, in 1997. Whether you watch the video or simply listen to the song, Nicks’ energy and rage are palpable as she sings – or rather hurls — the lyrics at Buckingham: “Time cast a spell on you but you won’t forget me / I know I could have loved you but you would not let me/ I’ll follow you down ‘til the sound of my voice will haunt you / you’ll never get away from the sound of the woman that loves you…”

And with those words, she vocally nails Buckingham to the stage like a floor board. Thinking about your own ex and shaking your fist in shared anger during this number is worth four or five therapy sessions. At least.

As “Silver Springs” shows, Nicks has a true talent for crafting wonderful “I’m glad you’re gone, jackass, and boy, are you going to miss me” lyrics that are a restorative elixir for any crushed heart. In the Fleetwood Mac hit “Dreams,” she sings: “You say you want your freedom/ well who am I to keep you down/ iIt’s only right that you should/ play the way you feel it/ but listen carefully to the sound/ of your loneliness/ like a heartbeat…drives you mad/ in the stillness of remembering what you had/ and what you lost…/ and what you had…/ and what you lost…”

See, right there? That’s a gut-punch that’s going to stick. Who wouldn’t be tempted to pull a reverse Lloyd Dobbler, grab a boom box and stand outside in the rain playing that number for an errant ex or two?

It’s not like Nicks grew bitter over time either. Throughout her career, she has exuded a careful romanticism, one that is always, always tempered with the knowledge that love can go bad at any time. On her 1973 album with Buckingham, entitled Buckingham Nicks, the duo offered up this lyric from their song “Frozen Love”: “Life gave me you; the change was made/ and there’s no beginning over/ you are not happy, but what is love?/ hate gave you me for a lover…”

Yes, it’s one of those, “I guess we’re stuck with each other even if we’re miserable” love songs you hear so much at Valentine’s Day. I don’t know for certain whether it was Buckingham or Nicks who wrote that lyric, but it sounds an awful lot like Stevie. And as a fan, I hope it is hers because it shows that hint of darkness that has made her an enduring, one-of-a-kind performer. And you’ll never find lyrics like those on a Hallmark card – further evidence that there’s no better Pied Piper for pragmatists and broken-hearted romantics than our own Miss Stephanie Nicks.

All song lyrics from Nicksfix.com.

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About Liz Lent

  • Napoleon Volatile

    Loving you, isn’t the right thing to do
    How can I ever change things that I feel?
    If I could, baby I’d give you my world
    How can I, when you won’t take it from me?

    Or…

    But you know, its true
    You know you only want me when I get over you
    Oh first you love me, then you get on down the line
    But I dont mind

    Then of course my favorite kiss-off

    Think of me sweet darling, every time you dont come.

  • Lindsey Who???

    Wow, so Buckingham managed to bang out 3 whole good kiss-off lyrics. Can’t compare with all those that Stevie has written.

    Now I know
    Well, I was wrong
    To live for a dream
    If I had my life to live over
    I would never dream, no
    I still wish you gone
    And I will live alone
    Yes, I will live alone

    You will never love again
    The way you love me
    You will never rule again
    The way you ruled me
    You will never change again
    The way you’re changing

  • Napoleon Volatile

    In the world of audio production, and thus, of music at large, there would be no Stevie without Lindsey’s production. You would have never heard of her.

  • B. Robert

    Actually, I believe, Lindsey Buckingham held Stevie Nicks and her creativity back for many years. It easily is proven by who stands the tallest and the best of solo performers. That is Stevie Nicks. I was there during the early years and the growing years. I was glad when Stevie Nicks went out solo. She was always the star. The others have something else they give and bring to a group; yet, Stevie Nicks is the nucleus and heart of what she becomes involved and sharing.

  • T.

    As I understand it, Stevie wrote the lyrics and melody of Frozen Love. Lindsey added that fab guitar solo, so she gave him a co-writing credit. Stevie does have a talent for breakup songs!

    Both Stevie and Lindsey are awesome. I wish people would just shut up and appreciate them both.

  • natalie

    The ultimate “kiss off” of

    Think of me sweet darling, every time you don’t come.

    Was NOT directed at Stevie it was directed at Anne Heche who went on to her relationship with Ellen after she broke up with Lindsey. I read an interview where a DJ asked Lindsey to say Yay or Nay to rumours about different songs he’d written and whether they were about Stevie or not. Lindsey laughed and said that song and line was definitely not about Stevie. So the DJ offered up Anne Heche and he laughed again and said “well yeah because it was the way I saw it. Stevie hates that song she thinks its crude even though it’s not about her”