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‘Send Me Your Royalty Checks For Mother’s Day’

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I want to wish a Happy Mother’s Day to all the single mothers out there, including my own. She’s married now, just not to my father.

Everyone always asks why I’m not a mother. The reasons are many. I’ve had a lot of female friends, and even more female rivals. The funny thing is, I have a lot more in common with Roxanne Shante than most them. Born Lolita Shante Gooden in 1969, Shante found a glitch in the matrix when UTFO recorded the song “Roxanne, Roxanne”. She jumped into Marley Marl’s soundbooth, and the rest is herstory.

“A lot of MC’s today really know how to please
but I gave birth to most of them MC’s
so when it comes around to the month of May
send me your royalty check for Mother’s Day
Because yo, you know you can’t deal with this
I’m Shanté the microphone grand mistress
a pioneer like Lola Falana
with a name that stands big like Madonna
Speaking of Madonna, some girls on the mic
rap like virgins and get real tight
but I get loose with the rhymes I produce
that’s why I’m queen of the Crew with the Juice
cause I’m the super female that’s called Shanté
and like Hurricane Annie I’ll blow you away
Whenever I’m in a battle, yo, I don’t play
so you best go about your way
and have a nice day”

That’s how she broke it down on “Have a Nice Day.” But it was really “Roxanne’s Revenge” that sparked her career. Far from comedy rap, “Roxanne’s Revenge” wasn’t no joke. Shante broke it down by explaining “Roxanne’s Revenge” is saying that guys should stop talking about girls because it’s not working anymore. It’s played out! Talking about girls is fine as long as you’ve got something good to say about them. Why do you always gotta say girls are stuck up?” In the book “Bring the Noise”, authors Havelock Nelson and Michael A. Gonzales wrote “Roxanne’s Revenge” is – perhaps – best remembered for its brutal grit and casual spunk. It stood out, in stark, funky contrast, against more polished cuts by hitmakers Kurtis Blow, Whodini and the Fat Boys. And Shanté’s vicious, profane style caught even the toughest rap customers off guard. She started off “Revenge” by bragging, in breathless, squeaky-voiced tones, about how effortlessly she could rock a jam. Then, over a sample stolen from the instrumental mix of “Roxanne, Roxanne”, Shanté got nasty, directing to, among other things, “suck my bush.” She was out to define a respectable place for women in hip hop, and her pointed rhyme cut through all the mysogyny and sexism associated with the artform. Not just another b-girl honey, Shanté cold-cocked all the skeezoids and, on rap’s battleground she became a force to be reckoned with.”

Supposedly selling a quarter of a million copies in New York alone, “Revenge” made Roxanne Hip-Hop’s first female superstar. She is said to have performed up to three shows in three different states in one day, jetting around in private planes. But cutting full-length records was still out of the norm at that time. So until she finally released her debut album in 1989, she ‘only’ released a handful of 12-inches. At least five of them on Pop Art Records, all produced by Marley Marl: “Roxanne’s Revenge” (84), “Bite This” (85), “Runaway” (85), “Queen of Rox (Shanté Rox On)” (85), “Def Fresh Crew” with Biz Markie (86), “I’m Fly Shanté” with Steady B (86) and “The Payback” (87).

A couple years back, Shante broke down some of the hardships she experienced as a pre-teen Hip Hop Queen when talking to www.allhiphop.com’s Nolan Strong. “There was a clause in my contract that said they had to pay for my education. Regardless of how far it went. And what happened was, they felt like she’s 14. By the time I was 15 I was pregnant with my son. They felt like they could through that in there because they thought I would never use it. I mean they were like “look at her now.” They thought I was going to get on drugs. I didn’t. And as long as they had my school covered, I was good. I didn’t get school loans, so I had to copy pages out of other people’s books. I would stand in front of the machine with a bunch of nickels and make copies. Page for page for page for page. And every time I copied a page, my love for Hip-Hop was going away, more and more and more. My story isn’t a happy one, but it had a happy ending. I was straight out of the group home; they dangled the custody of my son over my head because I was so young, so Hip-Hop became a labor of love. If you don’t do this, this is what’s going to happen.”

The bugged shit is that even though a lot of people think she dis-the-fuck-appeared, she’s now a PhD, and speaks on a number of topics at universities. From her management company’s bio on Shante, “Shante’s is recognized for her contribution to Hip-Hop and Rap in Libraries all across the Globe. Today she’s a strong Independent woman holding more than just a microphone. Shante now holds a Degree in Psychology. DR Roxanne Shante’ has retired from Hip-Hop and enjoys her new career and her new found freedom. Life after Hip-Hop hasn’t been bad at all. DR. Rox hasn’t turned away from the Hip Hop Culture or Rap Game as a matter of fact her direct relationship with today’s Hip Hop and Urban Community enables this young Mother of 2 to successfully counsel and provide her clients with the best treatment available. The scope of her clients range from Hip-Hop artist to Corporate Executives. Her distinctive and uncanny approach places her in a class all by herself. Equipped with subtle tenacity and a deep understanding of the Hip Hop Culture and the Music Business Dr Roxanne Shante is considered by most a specialist in a much overlooked and complex area of today’s Urban Community.”

I was watching Beef II earlier, and Shante busted down the whole music business and their schiesty system in the outro to the movie. She explained how when she signed with WEA at the age of 15, they included an education clause where the label would pay for her education. She said they assumed she’d get a GED, and nothing more. But she stopped making records. She went to college. She acquired her Bachelor’s degree. She stayed in school. She acheived her Masters. She didn’t stop. The same way she was relentless and unafraid as a female MC, dissing the major artists of her day on wax, she was relentless with her schooling. The label started to inquire as to when she would be finishing her classes. She hit ’em for $175,000 and got her PhD.

That’s why I say, when it comes around to the month of May, send Roxanne Shante your royalty checks for Mother’s Day.

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About MJ

  • WOW what can I say this is very powerful. Shant is my all time favorite female MC. This girl was no joke back in the day. Roxanne Revenge was slamin. Queen Of Rox and Bite This were some of my old school favorites. I’m so glade you wrote this article. It should be known we as black people can move forward in many directions. This is hot.
    Thank you so much. 🙂

  • dj_oneluv

    I love Shante’ and I love you for writning this!!

  • Ms. Jane, This work of art in words you have created now has another venue for success, glory and taking control of the world – and many more eyes – at the Advance.net Web sites, a place affiliated with about 10 newspapers.

    I labeled it an “essay” there.

    One such site is here.

    Also please let your contact know, if you have one, that this article is published at one more place. That helps a lot.

    Thank you.
    Temple Stark

  • Loving this MJ. Thanks for the writng, history and the “rememories”. – temple

  • Bennett Dawson

    Inspiring! A great way to start out my day, to learn about one very intelligent woman who made the right moves.

    ALL young artist’s contracts should have this type of education clause.

    Thanks for posting this!

  • Happy mothers day to all the mothers!
    That miranda janes something else!

  • much, much props to Shante. She should be an inspiration to not just female rappers, but all entertainers who have had a bit of fame and don’t know what to do next