Video Training Review: Beyond Skin: Going Deeper With Photoshop CS3 With Lee Varis From Lynda.com. - Page 2

Part of: The Enlightened Image

"The Hue/Saturation command" takes a look at a different problem — getting the red out. This is helpful when trying to get the red tones out of the skin tones. This is done by using the hue/saturation adjustment layer. Varis then ties the curve techniques to the hue/saturation adjustments to complete this section.

"Basic retouching" takes you through the process of retouching images and the tools that are needed to fix images. These include the Healing Brush, the Patch Tool, the Clone Tool, and working with the Dodge and Burn Tools.

"Rebuilding skin" examines what to do when you have to cover up defects. There are times when you have to wipe the slate clean and start from scratch. In this case you will learn how to rebuild the skin. This is especially helpful when work with older skin, skin that has seen too much sun, or other problems.

"Depth of field" shows you how to throw the background out of focus. Typically this is done in the camera, but there are times when you need to do it in Photoshop after the fact. This not the usual technique, rather it is one that more accurately emulates the look that you would get in a camera setting.

Volume 2: Advanced Techniques

"Portrait glow" puts together color correction and retouching and adds a soft diffusion glow. Here we step back through many of the same techniques to do a senior portrait, but now with additional tips and trick to make your job easier.

"Basic sharpening" looks at a strategy for sharpening images and covers the basic techniques for getting the clearer images. Also discussed are other sharpening issues such as working with subjects on a plain background, as well as more aggressive sharpening images with motion where not everything is in the same focus.

"Combined tools" works with several tools that we have been previously working with but now combining to make the foreground figure to pull away from the background to give it more shape and effect.

"Black-and-white conversion" takes a color image, beginning with an image of a flower and show how best to make the transition to a black and white image. Here you will learn a number of techniques about the channel structure of color images and how best to take advantage of it.

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Article Author: T. Michael Testi

T. Michael Testi is software developer, a writer, and a photographer. He also blogs at PhotographyTodayNet and at All This and Everything Else.

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