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Review: Paranoia Agent

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As I have stated many times in the past, I have always had an appreciation for anime, and so recently, I’ve been trying to expand my horizons. I watched both Samurai Champloo and Fullmetal Alchemist in their entirety, and I also have been renting some of the more influential anime films. However, out of all of what I watched, none captured my attention like Satoshi Kon’s Paranoia Agent. I fell in love with this thirteen episode series immediately, so much so that I bought the recently released complete series boxset. I do not regret the purchase at all.

Paranoia Agent is reminiscent of both FLCL for it’s occasionally outlandish, always attractive art work and also David Lynch’s Twin Peaks in how it has a cohesive, yet incredibly surreal narrative. The show revolves around various people affected by “Shonen Bat” (referred to as L’il Slugger in America), a figure who appears to be an elementary school kid with a gold baseball bat and rollerblades. Shonen Bat haunts those in their moments of greatest desperation, striking them down and creating paranoia for those around his victims, hence the title. The series initially seems to have a set formula, in which a character is introduced and throughout the episode, we are given a glimpse into his/her fears. Paranoia Agent quickly deviates from this pattern, and fortunately becomes something incredibly more ambitious. Along the way, we see the rise of a cartoon dog, Maromi, who quickly becomes part of the Japanese culture, but the true significance of the pink beast remains a mystery until the very end.

I cannot recall watching a television program that has created the same level of tension as Kon’s latest work, with the only possible exception being Carnivale. I guarantee that you will be on edge throughout each episode, knowing that something dreadful is inevitable, but not having any clue as to how the show will reach this end. This anxiety is only possible through excellent direction, as those not accustomed to watching animation may still forget they are merely watching a “cartoon.” Satoshi Kon does an incredible job of keeping the quick pacing, while making things clear enough that you can figure out what’s going. You’re left in the dark most of the time in terms of the whole picture, but the storytelling is top notch.

The animation is absolutely beautiful. From the opening, which features a very bright song and characters laughing hysterically despite the apocalyptic images behind them, one can’t help but admire the art direction. Some scenes look quite trippy, with several different art styles used for effect throughout each episode. The music is also quite good. Any horror or suspense fan knows that music is key in setting the mood for each scene, and Paranoia Agent suitably features some very creepy music. It is important to stress that this is absolutely an adult series. Children should not watch due to some graphic violence, and more importantly some very disturbing/bizarre imagery.

It took me quite a long time to find an anime that was strong enough to justify a purchase. Paranoia Agent succeeded despite a high price tag, thanks to episodes that are rewarding no matter how many times you watch. This show deserves every bit of praise it receives, and I would recommend this set to anyone, anime fan or not.

Edit: LM, Tan The Man

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About GinormousJ

  • Justin Hemenway

    I recently figured out after posting this how to assign subcategories, so I will do so in the future. Sorry.


  • Sterfish

    Excellent review. I haven’t had the opportunity to check out much of this show, but what I have seen is superb. If you haven’t seen them, check out Satoshi Kon’s movies Perfect Blue, Millennium Actress, and Tokyo Godfathers. He deserves to be mentioned in the company of anime legends such as Miyazaki, Otomo, Oshii, and Anno. Kon also worked on the anime anthology film Memories.