Home / Review: Me and You and Everyone We Know

Review: Me and You and Everyone We Know

Please Share...Print this pageTweet about this on TwitterShare on Facebook0Share on Google+0Pin on Pinterest0Share on Tumblr0Share on StumbleUpon0Share on Reddit0Email this to someone

Out of the Sundance Screenwriting and Filmmaking 2003 labs comes Me And You And Everyone We Know, directed by multi-media artist Miranda July. Dealing with the eternal theme of human interaction, July puts a contemporary spin on the topic. The result is a warm, sun-kissed, feel-good movie with no genre affiliation and a string of intelligent, funny episodes.

Me and You… is centred around Richard Swersey (John Hawkes), a newly-divorced shoe salesman and a father of two boys, Robby and Peter (Brandon Ratcliff and Miles Thompson). Richard is a wiry, esoteric man in the Californian sense of the word. He has a wild-eyed Jesus Christ face and he wants life to amaze him – this translates, for example, into his burning his own hand at the beginning of the film while trying to entertain, or better, ‘amaze,’ his sons. Christine (Miranda July) is an aspiring video-installation artist who earns a living as an ‘Eldercab’ chauffer. She starts hounding Richard after meeting him in the department store where he works on a shopping trip with a client. Meanwhile Richard’s sons are on their own journeys of discovery: the 14-year-old Peter becomes a subject of sexual experimentation in the hands of two neighbourhood girls while seven-year-old Robby is having a sexually-charged ‘affair’ on the internet.

Fortunately, the film never turns into a parallel narrative game where different strands of the story converge at the end. There are elements of that, as in the resolution of Robbie’s internet affair, but July chose to simply weave together some small ‘insignificant’ events and invest them with a thin layer of magic and poetry. July intelligently avoids any type of directorial bravado. As a multimedia artist, she seems to have chosen film as one choice among many. Unlike ‘professional’ film directors, she is not awe of the medium and its history. This apparent casual approach to filmmaking imparts Me and You…with lightness and accessibility.

Having said that, she does draw some fine performances out of her cast, especially the children. In fact, part of the charm of Me and You… is the focus on the children without the usual clichés that mar many similar works. The title also has a puerile ring to it. Special mentions should go to the non-moralising way July handles the seven-year-old Ratcliff internet romance, one of the best micro-stories in the movie. Carlie Westerman, who plays the unblinking Sylvie, has a strong screen presence, as if a 1,000-year-old person inhabited her 10 year-old tom-boyish frame. It’s a very sweet film, but free of conservants and artificial flavourings.

Powered by

About Antonio Pasolini