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For Bobby Lamm, Edgar Varèse was the inspiration.
Anders Osbourne didn't come from the Mississippi Delta or New Orleans; he just sounds like he does.
Jaco's pre-fame band brings out the best out of a song he later wrote for his better-known band.
Larry Young's democratic approach on his masterpiece Unity brought forth a teenaged trumpeter's remarkable composition.
Sublime, testosterone-driven acoustic trio jazz. Nobody does it better than McCoy Tyner.
Calypso funk meets whack jazz in a song written by a rapper's dad. Play this at your next party.
Hawaiian legend Iz Kamakawiwo'ole turns two, well-worn classic American tunes into one sublime Hawaiian lullaby.
James Taylor isn't the only one in his family who can make great covers.
Even when Rundgren was Todd The Mod, he was still a pop god.
Nick Deriso provides a most personal account of U2 and Green Day's Crescent City salute on the day the Saints were coming back home.
Turns out I'm not quite done getting over Michael Brecker's death, after all.
Buckingham wonders what happened to his solo career, while making another solo record worthy of acclaim.
Mike McDonald tackles an underappreciated song from Stevie Wonder's golden era and nearly topples the original.
Is Nick Cave a more sinister version of Tom Waits with an Australian accent? On songs like "The Lyre of Orpheus", it sure seems so.
Who would dare mess with the ghost of Eric Dolphy? Otomo Yoshihide, for one, ain't scared.
The master charlatans of rock create the finest song Thin Lizzy never recorded.
Careful craftsmanship is the hallmark of Guy Clark's songs. That's why for even his lesser-known tunes such as this one, his stuff works.
Neo prog rockers Spock's Beard covers a song by the band who inspired their sound...and, Yes, it's a good one.
Raitt's own "Give It Up Or Let Me Go" would have been cool in 1920 but will still be cool in 2020.
Corey Harris' "Basehead" is a laid-back denunciation of hard drugs from the front porch of a Mississippi Delta home.