Jon Sobel's reviews of music releases from independent artists and labels, collected and published about twice a month.
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Chris Schutz's CD is one of the top pop debuts of the year.
In a minor key, Malcolm Holcombe's grey, gravelly voice can sound like an extended death rattle.
The Kentucky Headhunters finally release a live album, nineteen years later, and it's a winner.
In a perfect world, Brown's superhero songs would be distributed in goodie bags at Comic-Con.
Mark Stuart makes it sound easy, with or without the Man in Black.
With raw vocal power and smart, evocative lyrics, Bobby Long is a folksinger with a spirited intensity.
Trevor Alguire's music is rooted in the traditions and commonplaces of country music, but it has a modern sensibility.
Izzy & Chris tap into the fundamentals of country blues and mine that vein for all it's worth.
Slaid Cleaves is one of those consummate songwriters whose stuff would sound great sung by almost any singer you can think of.
There's a wink and a smile behind just about all these songs — a fizzy tonic for hard times.
Harrington's characters may not find their holy grail of contentment, but the songs he writes about them are totally satisfying.
A combination of rough singing and sweet music gives this new collaboration between two original Jayhawks its charm.
In a world of hyper-talented young musicians, Back Door Slam plays truly impressive stuff, because it feels real.
Matt Morris's high, fluty tenor wafts his words into your consciousness like a message carried on the wind.
Laura Vecchione's second disc is a consummately crafted and craftily written set of tunes that touch on commercial country, country-rock, and alt/Americana.
Cadillac Sky is every bit a bluegrass band, but the Texas quintet quietly expands the frontiers.
Procol Harum's legendary lyricist collaborates with John Waite, Southside Johnny, Terry Reid and more on his first solo CD.
Jim Boggia makes melodic, smart pop that's warmhearted but never overheated.
Canadian guitarist Duane Andrews grafts strains of the traditional music of Newfoundland onto Django Reinhardt-inspired "gypsy jazz."
It's sad when artists (and others) have to leave their native lands to pursue their dreams.