A music figure as significant as Michael Jackson just died. Many less tears will be shed and the internet will not be pushed to its limits. Allen Klein has passed at 77 from the effects of Alzheimer’s disease.
I once suggested to a well known rock 'n' roll critic that a book about Klein needed to be written. His response was something along the lines of, "Are you nuts? Do you really want to spend the rest of your life in litigation with Allen Klein? You don't mess with Allen Klein."
Like Don King, Klein spent a ton of time battling his clients in court and usually came away with most of the spoils.
You say that you’ve never heard of him? That’s probably the way he liked it. He was essentially the Vito Corleone of rock 'n' roll. The true genius criminals do their best to stay out of the limelight.
For years, nearly every huge rock act in the world seemed to have paid a percentage to Klein as if they were worried that he would indeed break their legs.
Gangsters are usually brought down by their accountants and that was the genius of Klein. He was an accountant! When rock 'n' roll acts like the Who, the Beatles, and the Stones all had no idea where their money was really going or coming from, he was stalking every single penny.
He had a sign on his desk that said, "Though I walk in the shadow of the valley of evil, I have no fear, as I am the biggest bastard in the valley."
The initial genius of the street-tough accountant that was Klein, he realized how corrupt record companies were in the early days of rock 'n' roll. He’d walk up to a Bobby Darin or a Sam Cooke and promise them that he could recoup $100,000 or more if they’d merely allow him to look at their books, and he usually, in fact, did so with ease.
From there Klein went on to management, beginning with Sam Cooke.
"Sam said, 'Well, what do you think?'" Klein told Sam Cooke's biographer Peter Guralnick. "I said, 'I think they're treating you like a nigger, and that's terrible - you shouldn't let them do it.'"
Klein eventually became manager of the Rolling Stones. After a time, the band wanted to be rid of Klein; he sued and wound up with the publishing rights to most of the Stones’ '60s material. Want an idea of what that was worth? You may want to ask the Verve, who wound up losing their rights to “Bittersweet Symphony,” when an arrangement to sample an orchestral version of “The Last Time” went bad. Klein’s company ABKCO eventually wound up with 100% of the hit's royalties, which has to suck if you’re a one hit wonder like them.