“When I Was Young”: The Psychedelic Regeneration of Eric Burdon and The Animals

Eric Burdon and The Animals came together as a new band in late 1966, after The Animals, one of the biggest of the many British bands who became famous during the swinging years of the middle 1960s, had fallen into a situation of discord that resulted in their breakup. When Eric Burdon and The Animals  released their first single, “When I Was Young,” in April of 1967, it showed that Eric Burdon, who had been the singer with The Animals from their beginning, was seeking a new direction in his musical style. For the rest of that mind-expanding year and into the next year, Eric Burdon and his band remained in the vanguard of the psychedelic revolution.

The Animals had started out as The Alan Price Rhythm and Blues Combo, at the Club A’Gogo in Newcastle, England, in the early 1960s. The five musicians (Eric Burdon, Alan Price on keyboards, Hilton Valentine on guitar, Chas Chandler on bass, and John Steel on drums) dedicated themselves to playing blues and jazz, and changed their collective name to The Animals when they moved down to London in 1964. They soon had a worldwide hit, “The House of the Rising Sun,” and were part of the British Invasion that followed The Beatles across the Atlantic Ocean to the United States. (More about The Animals and Alan Price at David's Rock Scrapbook.)

Alan Price left The Animals in 1965, and John Steel departed in 1966. By the end of 1966, after recording a number of hits (“I’m Crying,” “Don’t Let Me Be Misunderstood,” “We Gotta Get Out of This Place,” “Don’t Bring Me Down”), the band was finished. In early 1967, Eric Burdon moved to California, settling in San Francisco for a time, and then assembled a new lineup, known as Eric Burdon and The Animals, with Vic Briggs on guitar and piano, John Weider on guitar and violin, Danny McCulloch on bass, and Barry Jenkins on drums.

The first single by the new lineup began with a thunderous outcry from an electric guitar, giving way to a sound that was dark and striking. “When I Was Young,” written by Eric Burdon with the band, features the bold tones of John Weider’s violin, along with a forceful drumbeat from Barry Jenkins. The pained voice of Eric Burdon, sometimes wailing with heavy echo, tells a bleak story of lost youth and deep regret. The powerful elements of the track are skillfully  combined to convey an overall mood of confusion and desolation. The flip side of the single, “A Girl Named Sandoz,” reflects the degree to which Eric Burdon, in common with The Beatles and other musicians of the 1960s, had happily embraced the hallucinogenic properties of LSD. (Sandoz Laboratories provided the first quantities of lysergic acid diethylamide to the world.)

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Article Author: Michael Collins Morton

Michael Collins Morton was born in Warrington, Cheshire, England, and grew up in California, in a suburb near San Francisco. He currently lives with his wife, Angela, in Beaverton, Oregon. He is a writer of fiction and nonfiction, with a strong interest in music, films, art, and photography. …

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Article comments

  • 1 - Abel

    Feb 01, 2011 at 5:11 pm

    "When I Was Young" was a terrific track, one of the rock singles that pointed toward an adult viewpoint and a learned cynicism. Reminds me of "Paint It Black" and "You've Got to Hide Your Love Away."

    Burdon gets little credit for his role in rooting psychedelia instead of spewing about a bunch of sonic nonsense (see Rolling Stones).

    “Sky Pilot” was the peak of Burdon's psychedelic explorations. It proved to be a game changer, one of rock’s first cinematic songs.

    And it tripped like mad. Listen for the bagpipes, gunfire, the screech of dive-bombers, distorted guitars and reverb-drenched vocals, flanged-out drums, horns, woodwinds, piccolos -- you get the picture.

    It reminds me of "Eleanor Rigby" to some extent -- a portrait of a lonely and self-delusional person, told sympathetically.

    He's still great in concert, saw him last year.

  • 2 - Mark R

    Mar 10, 2012 at 9:07 am

    What great albums, the ones you mention here. I have them all on vinyl, and some of them again on CD. But LOVE IS, ever since its late 1968 release on MGM (in the U.S.), has been my fave double-LP of all time. On AMG, Thom Jurek describes LOVE IS as a "trainwreck of an album," but oh! What a trainwreck it is and was, even in its own time. I too continue to see Burdon when he comes to NYC, and his voice, on a good night, is still all there. But the best thing about Burdon is that he eventually became what he set out to be: a damn authentic blues singer.

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