Everyone has a band or singer-songwriter who spans a generation with them; the artist whose career runs through peaks and valleys along with your life. For me, that artist has been Nine Inch Nails.
I discovered the music of NIN as a sophomore in high school in 1991. A girl I was dating gave me a cassette copy of their first album Pretty Hate Machine, and I was immediately hooked. After 1992's Broken was released, I have followed bandleader and production guru Trent Reznor's career closely ever since. Sure, there have been a couple speed bumps along the way (i.e. songs like "The Perfect Drug" or "Deep"), but NIN's hard edged soundscape has always appealed to me.
Outside of the multi-layered textures, pulsing synths, and arrogant guitar power chords that Reznor has woven through his work, I've also enjoyed his frequently aggressive and angst ridden lyrics and breathy vocal delivery. So when Reznor released Ghosts I-IV, an album comprised of 36 untitled instrumentals, I was not sure what to make of it at first. I knew I had enjoyed many previous NIN instrumentals like “The Mark Has Been Made” and “La Mer” from The Fragile, or "A Warm Place” from The Downward Spiral— but nearly two hours without a single vocal? It seemed like a recipe for disaster when mixed with an experimental release format via the web only.
Luckily, despite the NIN website crashing on the first day of release, Ghosts I-IV was considered a success by most critics and fans, despite not being as groundbreaking as some of his previous records. My belief on Ghosts is that Reznor didn't want to chance releasing his "vocal-included" material in the event that this experiment was not as profitable as hoped. However, now that it has been, I expect that in the upcoming months, he will release an EP with vocal tracks. Of course, that is purely speculative from a longtime fan. Forgive my optimism.
More importantly, Reznor had a second experiment in mind for Ghosts outside of the release structure. NIN teamed up with YouTube to host a "film festival" where fans could submit their own visual representations of the music of Ghosts. The films will be reviewed by a team (including Trent) and the "exceptional" ones will be prominently displayed as a YouTube/NIN collaborative "film festival". As Reznor states, "This isn't a contest and you don't win elaborate prizes - it's meant to be an experiment in collaboration and a chance for us to interact beyond the typical one-way artist-to-fan relationship." The YouTube page detailing all this can be found here.
Article comments
1 - Mark Saleski
geezuz mr. sahm, you just have too many fine ideas swimming around in that head.
good stuff.
2 - charlie
Cool. I'll have to try listening to this album in your tracklisting. Should be an interesting experience. Thanks for this.
3 - Mark Sahm
Thanks for the kudos, gentlemen. A couple things I should add:
(1) Both mixes are about 55 minutes long
and
(2) Based on the character the mix represents, they have a decidedly different overall feel. Ambicaspian is more of the mellow piano and ambient material, while Geistfearian is the more aggressive and hard rock/electronica feel.
4 - stude
who said it should be anime?
5 - Mark Sahm
Anime is just one option that you could submit for the NIN film festival.