Welcome the Incoming Wave of White Rappers

Since Eminem dropped his first record with Dr. Dre the mainstrem media has tried to dissect his importance and legitimacy, and the place White rappers have in hip-hop. The NY Daily News did the best job I've read so far as they reported on the incoming wave of White emcees. It's so on point I have to quote Jim Farber word for word:

On last year's "Eminem Show" album, the world's most popular rapper rhymed a snide prediction: "A concept that works/20 million other white rappers emerge."
He may be off a bit in his math, but Eminem's forecast of a white rap invasion seems to be coming true.

Thirteen years after the thawing of Vanilla Ice, and three years after Eminem himself became the most famous rapper in hip-hop history, a new wave of caucasian emcees is swelling.

True, there have long been isolated pockets of palefaced rappers - from the Beastie Boys and Third Base to Bubba Sparxxx and Haystak. But the next few months will see the largest wave to date, including Stagga Lee, Poverty, K-Mo, DF Dub and the first white female rapper, Sarai (promoted by her label as "Feminem").

At the same time, other white rappers are busy trying to land solo deals, including the Italian MC JoJo Pellegrino (who has been aligned with the respected rap management company Violator), Kain (an associate of Puff Daddy), and the Jewish rapper Reuven Ben Menachem (a one-time collaborator with the Wu-Tang Clan).

The most obvious impetus for all this is the nearly boundless success of Eminem. "If a label can sell even half of what he has with one of these artists, they're going to do more than okay," understates Mike Saunders, program director of the New York hip-hop station Power 105.

But Poverty (né Tom Ferris), 23, believes Eminem's success has made it harder for caucasian rhymers. "If you're white and you rap, people see you as just another Emimen, no matter what you do," he says.

As The Source's music editor Jerry Barrow puts it, "Eminem has set the record so high in terms of sales and skills, it's unfortunate for any of these other guys."

On other other hand, Vibe music editor Erik Parker thinks non-black rappers have an advantage, since "it's still different enough. But they would have to be really exceptional to be taken seriously."

In general, observers feel there's no longer the level of suspicion toward white rappers who came in the wake of Vanilla Ice and Marky Mark (who has since turned to serious acting under his real name, Mark Wahlberg). Their less-than-credible work in the early '90s hampered the efforts of white artists for years. Even now, you have a movie like "Malibu's Most Wanted" (opening tomorrow), which counts on the audience's belief in white hip-hoppers as hacks for its laughs.

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  • 1 - andy

    Apr 22, 2003 at 7:41 pm

    yeah it's kinda like rock and roll. Elvis was kinda the first white guy to have that kind of success in rock and roll and do it well, and that really sparked whitey's roll in rock and roll.

    there may be a racist undertone to it all. not intentional, but maybe white people don't want anything to do w/ something till someone makes it a "white" artform. then all the whities want in.

  • 2 - SlackMFer

    Apr 25, 2003 at 10:22 am

    andy, apparently you haven't been around in the last ten years. white people have been all over hip-hop for as long as i can remember. and i agree that it may be HARDER for a white guy to get white hip hop fans (excluding little white girls who think eminem's "cute," which, believe me, they're out there) because white people who are into hip hop don't want to seem like they jump on the first white guy that comes around. i know plenty of white guys who didn't like eminem for the longest time. i still know a few who say he sound's too much like vanilla ice (which is an unfair comparison, anyway you slice it). but, seeing as hip-hop has apparently run out of ideas, i'm hoping white people WILL take it over, then blacks will have to come up with something new and there'll be something fresh out there.

  • 3 - andy

    Apr 25, 2003 at 10:57 am

    I'm talking mainstream here. I don't move in underground hip hop circles, so I don't know what goes on there, but I calls it as I sees it in mainstream music.

  • 4 - SlackMFer

    Apr 25, 2003 at 2:40 pm

    let me clarify, i didn't mean white rappers, i meant white people who sweat the balls off the hip hop scene, surely you've seen THEM?

  • 5 - Kyle a.k.a White .E

    Apr 30, 2003 at 2:16 am

    People can think what they want of White rappers. If you have talent it shouldn't matter. Now I'm not a main stream rapper, I don't even have a record label, but I got respect for my battles against the Black rhymers. Eminem has definetly paved the raod for us, no matter how long white rappers have been around.

  • 6 - BuddhaBoy

    Jul 16, 2003 at 11:24 pm

    Here's a question for anybody wants to answer it. White men have been imitating black music and folkways at least since Blackface minstrelsy, which was once the biggest popular entertainment in the USA, from about 1820 to 1860, but maybe it never really died out. I think its a form of rebellion, of engaging in Black music to proclaim a form of manhood not available to kids who come from staid and bland white backgrounds. Its a rite of passage to Manhood to put on the black mask, even when the mask is only worn metaphorically. Somebody handle that.

  • 7 - BRICKLAYER

    Jul 17, 2003 at 6:53 am

    I'm in agreeance. When Vanilla Ice was flexin' on "Ninja Rap", I felt the pent up rage and anxiety of my parental oppressors, and their relentless attempts to get me to eat my peas. I rebelled by kicking my wood shop teacher in the balls.

  • 8 - Eric Olsen

    Jul 17, 2003 at 10:52 am

    If you don't like peas, make pea soup - no, the imitation has never ended but it has little to do with manhood, may or may not have anything to do with rebellion, and has always had a lot to do with Americans digging black music in all its funky freshness.

  • 9 - BRICKLAYER

    Jul 17, 2003 at 11:50 am

    It is impossible to deny the long lasting and poetic lyrical brilliance that the white rapper has bequeathed upon his black compatriots. Witness the following:

    "Break Stuff"

    Its just one of those days
    When you don't wanna wake up
    Everything is fucked
    Everybody sux
    You don't really know why
    But want justify
    Rippin' someone's head off
    No human contact
    And if you interact
    Your life is on contract
    Your best bet is to stay away motherfucker
    It's just one of those days!!

    [chorus]
    Its all about the he says she says bullshit
    I think you better quit
    Lettin' shit slip
    Or you'll be leavin with a fat lip
    Its all about the he says she says bullshit
    I think you better quit talkin that shit
    (Punk, so come and get it)
    Its just one of those days
    Feelin' like a freight train
    First one to complain
    Leaves with a blood stain
    Damn right I'm a maniac
    You better watch your back
    Cuz I'm fuckin' up your program
    And if your stuck up
    You just lucked up
    Next in line to get fucked up
    Your best bet is to stay away motherfucker
    Its just one of those days!!

    [chorus]

    I feel like shit
    My suggestion is to keep your distance cuz right now im dangerous
    We've all felt like shit
    And been treated like shit
    All those motherfuckers that want to step up
    I hope you know I pack a chain saw
    I'll skin your ass raw
    And if my day keeps goin' this way I just might break somethin' tonight...
    I hope you know I pack a chain saw
    I'll skin your ass raw
    And if my day keeps goin' this way I just might break somethin' tonight...
    I hope you know I pack a chain saw
    I'll skin your ass raw
    And if my day keeps goin' this way I just might break your fuckin' face tonight!!
    Give me somethin' to break
    How bout your fuckin' face
    I hope you know I pack a chain saw, what!!...-Limp Bizkit

    Don't bring the hatorade on Fred, cuz you know you're jealous he was knockin' boots with Britney, yo!


  • 10 - Eric Olsen

    Jul 17, 2003 at 12:34 pm

    Yo veritably check it.

  • 11 - Natalie

    Jul 17, 2003 at 5:48 pm

    Oy.

    I am not a huge hip-hop fan, and I don't care about anyone's skin color. If the rapper is talented, hey, the more the merrier.

    I most certainly am not a fan of Eminem, for a host of reasons, but I will admit the man has skills. In fact, he was once inspirational to me and led me to slap together some rhymes a couple of years back. Yes, a parental warning is all over this, um, mofo:

    THE PROUD GAY POSSE

    May we have your attention please?
    May we have your attention please?
    Will the proud gay posse please stand up?
    I repeat, will the proud gay posse please stand up?
    We're gonna have a problem here

    Y'all act like ya never seen a queer person before
    Jaws all on the floor like Matt, like them bashers just burst in the door
    And started whupping his ass worse than before
    they left him on that fence.
    Didn't 'spect your words to cause that, didja? (Ahh!)

    It's the return of the...
    "Ah, wait, no way, you're kidding,
    they just didn't say what I think they did, did they?"
    And Andrew Sullivan said...
    Nothing you idiots! Sullivan's dead, he's locked in Mike Petrelis' basement!
    (Ha-ha!)

    Amerikkkan society loves queer people: "Them fags, I'm sick of them
    Look at them, marching and flouncing like they're so proud
    Wanting to get married, yeah, but they're good at parties"
    Yeah, gays, bis and trannies got their own list of problems to reduce
    But no worse than what's going on in your churches' back rooms
    Sometimes, I wanna get on TV and just let loose, but can't
    But it's cool for Jerry Falwell to spew his hate-juice
    "Love the sinner, hate the sin. Love the sinner, hate the sin."
    Whatever, but how we love ain't no sin.
    And that's the message that we deliver to gay, bi, and het kids
    We expect them not to know what homophobia is
    Of course they do--they're calling each other faggot
    By the time they hit fourth grade
    They learn their values from their parents, don't they?
    Some grow up to be the bar-crashers
    And the goddamn gay bashers
    Who cut other people open like cantaloupes.
    But if you can make our love a crime and lie about us all the time
    Then there's no reason that a "man" named Eminem can't crap out his rhyme.
    But if you feel like I feel, I got the antidote
    Queers, be mighty like the rose, sing the chorus and it goes

    CHORUS:
    We're the gay posse, yes we're the gay posse
    We got style and flair and cook like Emeril Lagasse
    So won't the proud gay posse please stand up,
    please stand up, please stand up.
    I said, we're the gay posse, yes we're the gay posse
    We got style and flair and cook like Emeril Lagasse
    So won't the proud gay posse please stand up,
    please stand up, please stand up.

    Doctor Laura S. gotta talk down the gays to sell her show
    And you approve? "Fuck her and fuck you too!"
    You think I give a damn about her bullshit?
    So-called family-values creeps can't even stomach me let alone stand me
    "But gays, what if they're right? Will you go ex-gay?"
    Why? So you guys can turn us into John Paulks?
    Yeah, so you can put us to work to spew your crap for you?
    Shit, John and us better switch chairs
    So I can sit next to the radio and hear Laura's rant
    And hear her damn us while hiding her nasty nude pictures
    You little bitch, put us on, we'll give you truth:
    "I am what I am--at least we didn't have to be converted."
    I should spam out transcripts over the 'Net and show the whole world
    The truth Laura subverted.

    We're sick of you tired-ass homophobes
    You want to just destroy us, so we're standing up to annoy you
    And there are millions of us much like you
    Who pray just like you; who go to work and war and school just like you
    Who might dress like you; walk, talk and act like you
    And 'cause you don't like how we love, then we're not as good as you?
    Oh no!

    Repeat chorus

    We're like a head trip to listen to cuz I'm only giving you
    Things you joke about with your 'phobe friends in your living room
    The only difference is I got the balls to say truth
    In front of y'all and I don't gotta be false or sugar coated at all
    You think you got authority because of your majority and your "superiority"
    But we know what oughtta be better than 90 percent of you bigots out there
    Don't you wonder why our kids turn out just as well-adjusted as yours?
    It's funny, cuz at the rate the world's going, when you're cold and dead
    Your kids will do the just thing, when they're at the head
    Of society and want to make up for the intolerant lives you've led.
    And we're certain that your way of thinking isn't working.
    'Cause every single person knows a gay person lurking
    He could be working at Burger King spittin' on your onion rings
    Or in the House or Senate, quietly voting, passing fair, just things
    Like smashing DoMA and getting ENDA set up
    So, come on, proud gay posse, please stand up!
    And put one of those fingers on each hand up!
    And be proud to be outta the norm and outta the closet
    And one more time, loud as you can, how does it go?

    Repeat chorus

    Repeat chorus

    Ha ha
    Guess there's a proud gay posse in all of us
    Fuck it, let's all stand up

    Eminem parody © Natalie Davis, 5-04-2000

    How do folks stand on welcoming the incoming wave of queer rappers, folks like Miss Money, Caushun (aka Homo Thug), the Deep Dickollective, Hanifah Walidah, and others?

    When it comes to hip-hoppers of any hue or orientation, even Fred Durst, let's welcome 'em all. Don't be hatin'.

  • 12 - Eric Olsen

    Jul 17, 2003 at 7:38 pm

    Natalie, I love it when you cold bug out and get ill.

  • 13 - Natalie

    Jul 17, 2003 at 7:42 pm

    Much respect to you, dawg. Word.

    Peace in.

  • 14 - Eric Olsen

    Jul 17, 2003 at 7:46 pm

    I feel ya all the way from B-more.

  • 15 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 16 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 17 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 18 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 19 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 20 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 21 - l3unny

    Jul 30, 2003 at 5:47 pm

    sarai sux

  • 22 - LoW

    Sep 03, 2003 at 10:04 pm

    Listen to my stuff, I'm a white rapper and my lyrics are real and I've got flow. Kick your opinion.
    www.djlow.com

  • 23 - hood

    Sep 19, 2003 at 12:22 am

    lol this is retarded. im white and i live in the bronx, i rap for fun but when me and my boys (which are all black) go to freestyle in studios in upper harlem and washington weights nobody goes "oh this kids white and he beat a black guy respect" no you people make no sense its not how it goes down. most these white rappers is from the south or like maine ridiclous places not from city hoods. and eminems voice is annoying. i aint tryin to get wit no label tho its just for fun, i dun see da point of exploitin myself as a white rapper from the bronx to make money. like mobb deep said get yo hustle on. peace. yeah fuck u white rappers tryin to get on the scene try comin from a real hood and stop fuckin bein gay get off the rap scene wit ur bullshit. yeah 1

  • 24 - D

    Sep 19, 2003 at 6:10 pm

    sarai sucks im a better white rapper then her..her lyrics suxz and nobody likes dat bitch

    Fuck "Feminem"

    I got da Getto GanGsta album and no one can beat WTH. Were da best white rappers eva be4 and now..holla

  • 25 - PROJECTILE

    Oct 03, 2003 at 1:23 am

    I RAP- I AM WHITE - I AM SHIT HOT - END OF...Eminem is good. Anyone true does not need to wait for an eminem to show them the way....same goes for anything....

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