Top Ten Albums of 2003 - Page 3

8. The Fire Theft - S/T

A prediction for this album was questionable at best. These are the majority of the members from Sunny Day Real Estate, who have gone down in history as the quintessential Indie/Emo band. Unfortunately they lost there way for a while. Now with this return, and given some time, they were able to create a great album. It is definitely influenced by classic rock. The song "Rubber Bands" makes the album. It is one of the most urgent love songs that I have heard in a long time.

9. Dashboard Confessional - A Mark, A Mission, A Brand, A Scar

Indie poster boy Chris Carraba had a great 2002 and this album was the key to see if that upward trend could continue. From what I can tell, it has. Carraba borrowed some of the rock from his experience in previous bands and put together a heavier record that keeps the melodies from the acoustic records that made him famous. "Hands Down," "As Lovers Go," "Bend and not Break" rule this album.

10. Zwan - Mary Star of the Sea

This is the first post-Pumpkins effort from Billy Corgan. It sounded surprisingly different than some of the past material. Thematically the music is different and new players Paz Lenchantin of A Perfect Circle, Dave Pajo of Slint/Tortoise, Matt Sweeney from Skunk, and longtime Pumpkins drummer Jimmy Chaimberlin give it a bit of a different sound. This album is happier than a lot of Pumpkins stuff, but the riffs and power are still present. Billy Corgan was born to rock and he does.

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Article Author: Craig Lyndall

Craig Lyndall writes about all things related to Cleveland sports for WaitingForNextYear.com.

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  • 1 - Tom Johnson

    Dec 12, 2003 at 3:13 pm

    Nice list, I'll have a number of the same contestants on my list too.

    Coheed And Cambria - this album has really, really surprised me. I picked it up after reading many mixed reviews and was initially very confused by the mix of prog-rock complexity and pop-punk simplicity. I actually thought I was going to trade it back in. And then something clicked and I couldn't stop listening to it. The only problem I have with it, or them maybe (not having heard their first album) is that they and the Mars Volta sound nearly identical. Maybe MV is a bit more eclectic and just plain weird at times, but they're mining the same rich ore of inspiration. I'm actually surprised MV isn't on your list. It'll definitely be on mine!

    I think I may be the last human in the world to get the Postal Service's album. I have no idea why I passed this up for so long, but since I am in a Christmas-season buying freeze, it's on my list as a very hopeful contender for under-tree status, as well as The Fire Theft's album.

    I somehow forgot that Zwan came out this year - I love this album so much that I actually feel like it came out in 2002. Weird.

  • 2 - Craig Lyndall

    Dec 12, 2003 at 3:20 pm

    I haven't heard the latest Mars Volta album, so now I will have to check it out.

  • 3 - Craig Lyndall

    Dec 12, 2003 at 3:22 pm

    Oh and the Coheed and Cambria review is coming soon. I saw them at the Agora in Cleveland last night.

  • 4 - Tom Johnson

    Dec 12, 2003 at 5:26 pm

    The MV album sounds like CC on crack.

    Lucky fans will be able to find a live EP this coming Tuesday. I'm not sure what stores will be carrying it, but it will be a select few. Anyone who wants it might just want to order it here for $5.99 (four songs, 42 minutes - pretty good deal.)

  • 5 - Andy

    Dec 12, 2003 at 9:05 pm

    I'm a big fan of The Smashing Pumpkins, and I've got to say that the Zwan effort is a bit lame.
    Don't get me wrong, there are a couple of great tracks on there:
    "Ride a Black Swan" and "Jesus, I/Mary Star of the sea" in particular.
    But some of the other tracks seem a bit too much like filler.
    Witness the cheesy "Baby Let's Rock!" for instance, or the uninspiring "Yeah!" or "Settle Down".

    Ok, it's not terrible.
    But it's hardly one of the top albums of the year, either.

    I also didn't find the sound that far removed from the Pumpkins, either.
    The same drummer, grungy guitars, and a girl playing bass and doing backing vocals.
    Also, I guess Corgan's voice will always be associated with the Pumpkins.

  • 6 - Tom Johnson

    Dec 13, 2003 at 1:05 am

    Zwan, for me, is much smarter, much more clever, and a hell of a lot more fun that the dreary Pumpkins. As much as I love them, SP was really melodramatic. Corgan actually sounded happy with Zwan, for once. Too bad the album was mastered so crappily . . . it just sounds terrible. It suffers the same problem Rush's amazing Vapor Trails does - mastered too loud, causing distortion. What a shame. (And what a shame Zwan is no more.)

  • 7 - homer jay

    Dec 13, 2003 at 8:03 pm

    Coheed was the best thing I've heard in a long time. The Darkness should be on that list as well.

  • 8 - Andy

    Dec 13, 2003 at 8:24 pm

    I agree that it's a shame Zwan are no more.
    Especially as they cancelled the European tour, which I was going to see them on!

    I think I was a little disappointed with the album in general.
    I really tried to enjoy all of it, but some of the material is a bit weak.
    It sounds like Corgan went for a more "live" sound for the album.
    The last official Pumpkins release (Machina) was quite a technically polished album.
    There are some "dreary" songs on the Zwan album, though.
    I just think Corgan does pain better than pleasure!
    (Not from physical experience, before you start!)

    But seriously I reckon it would have taken another album or two to find a winning formula.

    Alas, we may never know!

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