Top of the Brazucopops

Since attending Carnaval 2003 in São Paulo, I have not been able to get certain refrains from the samba of São Paulo's championship samba school, Gaviões da Fiel, out of my head.

Rio de Janeiro: samba de Noel
Terra da garoa: Adoniram, o menestrel ...

And

Viva o Maranhão... salve a miscigenação
O xaxado... o forró e o baião!"

"Noel" is Noel Rosa, the legendary samba composer of the 1930s; Adoniram, "the troubadour," is Adoniram Barbosa, São Paulo's heavyweight champion in the cultural rivalry with Rio, and composer of the funny and Hank-Williams-sentimental "Trem das Onze" ["11:00 Train"].

The second chorus sings the praises of the Amazonian state of Maranhão, home of such native genres as maracatú and cacuriá, and lists three genres of what you might call Brazilian "country and northern" music.

But the key word here is miscegenação — "mixing" — a term applied to the profoundly mixed ethnic heritage of the Brazilian people that also aptly describes the soul of Brazilian culture. It's a deeply syncretic and eclectic blending of traditions, defined most explicitly by the Tropicalia movement, founded during the early years of the military dictatorship by artists like Gil and Caetano Veloso — whose book Tropical Truths is now available in English.

Despite the best efforts of gringo Tropicalists like David Byrne and his Luaka Bop label, which issues discs from the likes of Tom Zé, the Brazilian Captain Beefheart, Brazil remains a dark continent for music fans from the global North — with the exception of hardcore fans like Harvey Pekar and the erudite Daniella Thompson.

On the the other hand, and correct me if I'm wrong, but it's also probably the first country in the world with a dreadlocked pop star holding ministerial rank in the government: The monumental Gilberto Gil, who finally won Grammy honors in 1999 in the World Music category for the elaborately produced but richly conceived album, Quanta. In fact, Brazilians owned that category from 1998 to 2001, culminating in an overdue tribute to the great bossanovista Jõao Gilberto. Gil now heads the national Ministry of Culture. It's like having Bob Dylan and James Brown as joint secretaries of education.

Continued on the next page Page 1 — Page 2Page 3

Article tags

Spread the word
Bookmark and Share
Read comments on this article, and add some feedback of your own

Article comments

  • 1 - Eric Olsen

    Apr 17, 2003 at 5:24 pm

    Great review, I love Brazilian music - MT HATES the accents and various Portuguese squiggles though. Any language with that many accents should be punched.

  • 2 - iggy

    Apr 17, 2003 at 6:03 pm

    Hmm, it must be your browser, I never have a problem. I think you need a 5+ with Unicode support.

  • 3 - Eric Olsen

    Apr 17, 2003 at 6:26 pm

    Actually, it looks okay now

  • 4 - Daniella Thompson

    Apr 20, 2003 at 6:28 pm

    Thanks for the plug!

  • 5 - Enigmatic Mermaid Nagging Unlimited

    Apr 21, 2003 at 6:36 am

    Why do you have to mangle Portuguese every time? It's miscigenação.

    Caetano Veloso and Jorge Mautner's collaboration in "Eu não peço desculpas" is also worth mentioning.

    EM

Add your comment, speak your mind

Personal attacks are NOT allowed.
Please read our comment policy.
Please preview your comment.

blogcritics lists for Feb 11, 2012

fresh articles Most recent articles site-wide

fresh comments Most recent comments site-wide

most comments Most comments in 24hrs

top writers Most prolific Blogcritics for January

top commenters Most prolific Commenters in 24 hrs