Tom Waits - the Onion AV Club Interview

In this excellent Tom Waits interview by Keith Phipps for the Onion AV Club, we learn the origins of the phrase "Today you will play jazz, tomorrow you will betray your country," that honey doesn't spoil, and that his kids turned him on to Blackalicious (but he can't attend shows with them because that would be too embarassing).

For example:

O: What's your collaborative process like with Kathleen Brennan?

TW: [Chuckles.] Oh! Well, you know, "You wash, I'll dry." It all comes down to making choices and a lot of decisions. You know, are we gonna do a song about our cruise ship, or a meadow, or a brothel, or... just a rhapsody, or is it a parlor song or a work song or a field holler? What is it? The form itself is like a Jell-O mold. It's like doing anything that you would do with someone. "You hold it right there while I hit it," or the other way around. You find a rhythm in the way of working. I trust her opinion above all else. You've gotta have somebody to trust, that knows a lot. She's done a lot of things. I'm Ingrid Bergman and she's Bogart. She's got a pilot's license, and she was gonna be a nun before we got married. I put an end to that. She knows about everything from motorcycle repair to high finance, and she's an excellent pianist. One of the leading authorities on the African violet. She's a lot of strong material. She's like Superwoman, standing there with her cape flapping. It works. We've been at this for some time now. Sometimes you quarrel, and it's the result of irritation, and sometimes it comes out of the ground like a potato and we marvel at it. She doesn't like the spotlight. She's a very private person, as opposed to myself. [Laughs.]

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Article comments

  • 1 - Jinjer

    Aug 18, 2003 at 8:20 pm

    Please check out this Tom Waits article.
    http://www.musicbizadvice.com/tomwaits.htm Thanks!

  • 2 - S.A. Smith

    Sep 01, 2003 at 6:16 am

    Never could stand that dog.

  • 3 - Eric Olsen

    Sep 01, 2003 at 12:31 pm

    SA, great line, I love that album, his first in a really different direction: punk folk-jazz or something.

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