The Toli Music Awards 2004

So the September 30th deadline for Grammy nominations is fast approaching and it's time to review the music class of 2004. We'll exclude Lauryn Hill and the Fugees who couldn't get their act together on time (or maybe their marketing teams decided for a Christmas push); similarly the word is that Omar has just completed his new album and previewed the first track on Giles Peterson's show last week but that will be next year's campaign. Unfortunately too, it looks like D'Angelo's creative block will extend for at least another year as he's fast approaching Michael Jackson like minimalist hermetism (5 years between albums?)

Before I give my liner notes though, a reminder of last year's picks:

• Les Nubians - One Step Forward - Africa meets Jamaica meets France meets Phildalphia
• Roy Hargrove - Hard Groove -a celebration of soul/jazz and funk
• Anthony Hamilton - Coming From Where I'm From - the Bill Withers of southern soul
• Common - Electric Circus - Soulquarian goes Jimi Hendrix
• Dwele - Subject - like butter baby
• Donnie - The Colored Section - essentially Stevie Wonder Jnr
• Orchestra Baobab - Specialist in All styles - le retour du Senegal avec un peu de Cuba
• Parts of the Outkast and Floetry albums and one song from Erykah Badu's Worldwide Undergroud EP.

On to the short list of contestants

Prince - Musicology

As others have noted, the big musical meme this year was "The Return of Prince" (see this piece also), he performed at the Grammys with Beyonce, did the most mind-tingingly explosive guitar solo at the Rock and Roll Hall of Fame where he was inducted, released the 20th anniversary edition of the Purple Rain movie, toned down the 'difficult' stuff, seemed comfortable in his shell and with married life, not to mention that he had the the best tour (probably also the most lucrative this year) where he played a lot of guitar, emphasizing the pop-rock side of his work instead of the Fender-Rhodes soul, jazz/funk stylings and Jehovah's Witness' zeal of 2001's The Rainbow Children. More importantly he produced the kind of stripped down one-man-band album that he hadn't released in a long while.

Musicology has a bunch of perfectly constructed songs: the title track is prototypical James Brown, Sly Stone and Bootsy Collins, Reflection - unhurried acoustic guitar. What do you want me to do - a little perfect pop song like he used to throw out with ease (see The Ballad of Dorothy Parker, Pop Life or Raspberry Beret). Once D'Angelo's Untitled (How does it feel) reminded everyone of the kind of lush ballads that Prince used to produce, His Royal Badness needed a comeback and "Call My Name" fits the bill. On the Couch - a hilarious blues like "If I had a Harem" that he performed during the Lovesexy tour. And for me, Dear Mr Man is akin to Sign O' The Times, social commentary with a funky beat. A great album if somewhat nostalgic: like he says on the title track:

"Don’t U miss the feeling music gave U/Back in the day?"

Article Author: Koranteng

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