Best Free Release of the Year
Wilco: Camera EP... Nothing better than a free ep download, eh? Especially since it includes downloadable artwork.
Best B-Side of the Year
Sixpence None The Richer: "Don't Pass Me By"... This was the B-Side to Sixpence's second single, "Don't Dream It's Over". I am not joking when I say that "Don't Pass Me By" is the best song Sixpence has ever recorded.
Guilty Pleasures of the Year
Boomkat: Boomkatalog.one
Kings of Leon: Youth & Young Manhood
Minus 5: Down With Wilco
Honorable Mentions for Best Album of the Year
Air-Baricco: City Readings
June Carter Cash: Wildwood Flower
Deftones: Deftones
Lost Dogs: Nazarene Crying Towel
Shelby Lynne: Identity Crisis
Over The Rhine: Ohio
Pigeon John: Is Dating Your Sister
Derek Webb: She Must & Shall Go Free
Woven Hand: Blush Music
Woven Hand: Woven Hand
All in all it was a good year for music. It was a revolutionary year for me in that I discovered rap and deepened my appriciation for country, however, my metal and alternative roots still shone through.







Article comments
1 - Tom Johnson
Theory, I think the differences in our views of the Mars Volta is fascinating. Check it out on my list. You couldn't get two more opposite reviews.
2 - The Theory
Nice nice. Just remember that I'm right. ;-)
3 - Mark Saleski
i still don't see how "Hey Ya" is a weak song.
let's see, me & tom like it...you don't.
that means you're wrong!
;-)
4 - Dew
We would have agree to disagree on Outkast. I think the Love Below was over and beyond the call of duty. Not to mention it is opening the doors for Outkast to enlightened a whole new audience. Although I despise Hey Ya! as well. ;-)
Beth Hart's Leave the Light On is an excellent CD also and currently I am loving Jet and The Darkness.
5 - The Theory
Dew: Most likely my main problem is my inability to appriciate that whole "R&B" genre. "The Love Below" is the only album from that genre that I can even remotely listen to without going into convultions. However, there is still too much filler on it, regardless.
My main problem with "Hey Ya" is that it reminds me too much of something The Flaming Lips might do, sound wise. And I'm not too fond of the Flaming Lips. Of course, Andre is double the vocalist that TFL's vocalist will ever be.
6 - BrownBoognish
I'll take a Flaming lips song over Hey Ya anyday.
I've listened to the Outkast release, and I can only find five or six actual songs worth noting. The amount of filler makes the album impossible to listen one's finger firmly fixed on the skip button.
De-Loused in the Comatorium is extremely pretentious, but in the best way possible. They took some of the biggest risks of the year, and it is a highly memorable album.
7 - Dew
The Love Below is not an R&B album.
8 - Tom Johnson
Comparing the Flaming Lips and "Hey Ya"? Don't see it at all. I love the later period Lips, but there are no traits shared between anything the Lips have done and that song.
And no, "Hey Ya" is definitely not r&b. It's more retro-pop, resurrecting the mid 60s era with a modern hip-hop slant to the music. And it's a pure joy to hear, too. It's easily the most inventive and exciting piece of music to come out of the industry this year. I can't think of another song that has so been able to cross nearly every musical boundary. I'm not saying you nay-sayers have to like it, but I think you need to give it more credit than you are. It's a powerful piece of music.
9 - Dew
Tom was walking around in my head and found the words I was looking for.
10 - The Theory
if you cut out Andre's voice from "Hey Ya", the backing music would fit very snuggly on "Yoshomi Battles the Pink Robots".
11 - Tom Johnson
Sorry, Theory, don't hear it. "Hey Ya"'s way too upbeat and boppy to sound anything like the spacey desperation of the Flaming Lips.
12 - Sabo
For how much Theory and I agree on music generally, I have to take Tom's view on "Hey Ya". It was my favorite song of the year.
13 - Mark Brandt
"Hey Ya" is a great song. Though The Theory doesn't like it I definitly see the Flaming Lips reference. It's the song that brought hip-hop to the indie rock kids and indie rock to the hip-hop kids. Priceless (minus the repetition of the word 'Alright')