Throughout the month of November other Blogcritics writers and myself have been reviewing and talking about Blues music. Something that's become clear from writing some of these articles, and from reading them, is the universal appeal of the Blues. Guitar players from Finland and record labels in Germany only confirms the fact, everybody does indeed get the Blues.
But no matter how far flung the Blues has become; there's no doubt in anybody's mind where its roots lie. When Thomas Ruf of Ruf records in Germany wanted to give some of his young European Blues musicians a deeper understanding of the music they played, he took them to Mississippi and Memphis to record.
They hung out and played for hours a day with the people who have lived and breathed the music and the life circumstances that created it. Ruf understood that it's one thing for these young people to play the music on a daily basis, but another altogether to experience it. In Europe they lacked the resource that would enable this, the people who've been living, breathing, performing, and creating the Blues for the past few generations.
The roots of Blues music run deep in the Southern United States, and are closely intermingled with the social history of that region. To play the Blues without an awareness of the people and the places it came from is to rob it of the very vitality that has kept it vibrant and alive long after its originators have passed on.

When Thomas Ruf took his musicians to record Pilgrimage: Mississippi To Memphis they were only seeing the tip of the iceberg. Beneath the surface is floating hundreds if not thousands of musicians who contributed in one way or another to a little piece of the story of the Blues.
These men and women, who should be recognized for their contributions to the creation and development of American culture, have been living their lives in obscurity and, in most cases, poverty. Unfortunately, many still are. But because of the efforts of one couple, a very exiting change has taken place over the last fifteen years.
The way Tim Duffy tells the story of the Music Maker Relief Foundation it sounds like such an obvious thing to do. It makes you wonder why no one thought of it earlier. In 1990 he had met Guitar Gabriel, and they began playing together. Through Gabriel Tim began to get to know other older musicians and learned about the harsh realities of their lives.









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