The Listening Room February 19, 2007: Guster, Toad the Wet Sprocket, Bowling for Soup, Autechre, Rickie Lee Jones, Ben Kweller, and Sly And The Family Stone - Page 2

Part of: The Listening Room

You wouldn't know it by the title, but it's actually a sweet love song. "And now you’re halfway around the world/and I’m just a day behind/Nothing seems to fill the hole/That I have since you left my side." Not typical fare for these guys, but the mellow sound and the underlying theme of real love and desire has been just what I needed to hear.

Tom Johnson: "Augmatic Disport" from Untilted by Autechre

It's the abstract rhythms in the electronic chaos that Autechre creates that draws me in. The beat lurches back and forth, fighting with itself, as if two drum machines are dueling over time. This is impossible dance music – no sane person could find a beat to center themselves around here, or, if they did, it would make for something humorous.

There are stabs of synth here and there, but the focus is on time and how it competes with itself for the little sensible space our minds can allow. The listener's payoff comes when bits of rhythmic predictability set in, little by little - chaos resolving slowly to order, layers of fragmenting drums giving way to a steady pulse. Left with a simple beat for what seems like an eternity, it's something oddly soothing and predictable from a group who so rarely offers anything of the sort.

Mark Saleski: "Nobody Knows My Name" from The Sermon On Exposition Blvd. by Rickie Lee Jones

The initial idea was to create a musical and spoken word recording based on Lee Cantelon's book The Words, a "plain English" rendering of the words of Jesus Christ. Rickie Lee Jones was brought in to read from a few chapters and managed to completely transform the entire project. Jones' idea was to improvise her part, based on the selected text, over the given musical track. "Nobody Knows My Name" was the first result and it is stunning. Over a steady (almost Velvet Underground-ish) chord progression, Rickie sings out the idea of an anonymous Christ walking on earth. Pretty amazing stuff, even for a non-believer.

Mat Brewster: "I Gotta Move" from Ben Kweller by Ben Kweller

I really thought I would be talking about a new Lucinda Williams song, but through a series of mis-adventures (wondered around the big multi-mart looking for Valentine's Day gift, but for some crazed, unknown reason forgot all about the new LW album; went back to the store the next morning specifically to purchase, and forgot my wallet) I am still without the new Lucinda album.

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Article Author: Josh Hathaway

Josh Hathaway began with Blogcritics in August 2004 and served as writer, editor, and also hosted the beloved but short-lived BC Radio podcast. He also founded the music web site BlindedBySound.com. Follow me on Twitter …

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  • 1 - Pico

    Feb 19, 2007 at 1:08 pm

    Lisa McKay: "Don't Take Me Alive" from The Royal Scam by Steely Dan

    Ah yes, the second Larry Carlton showcase on Royal Scam (the first being "Kid Charlemagne"). SD would have several more memorable guitar playing after this one, but never again would it be so freewheeling as this one. And then there's that trademark dark wit on full display, too. Good stuff.

  • 2 - Connie Phillips

    Feb 19, 2007 at 1:57 pm

    A round of applause for all the writers who participated this week and a special thank you to DRJ for putting it all together for us.

    It's nice to see so many suggestions from people whose opinion I've come to trust. I have a feeling a better part of the afternoon is going to be spent checking these songs out.

  • 3 - Lisa McKay

    Feb 19, 2007 at 2:08 pm

    It's fun to do, and yeah, a special thanks to the DJ for making a venue available that's kind of like "writing for the time-impaired".

  • 4 - DJRadiohead

    Feb 19, 2007 at 2:30 pm

    Great job, everybody. There are a lot of selections this week I have never heard and some I have never heard of.

  • 5 - zingzing

    Feb 19, 2007 at 2:50 pm

    autechre may not be as obscure as they used to be, (in popularity, never in sound,) but it is still surprising to see them on blogcritics. woo, tom!

    between all the "walking in memphises," (memphi?), simple minds, toad the wet sprockets,(could of dealt without that, thank you,) etc, it's nice to see something pop up that's more than just a memory.

    come on people, whip out the strange, the obscure, the new! (no offense if you didn't this time, but this is your last warning.)

  • 6 - zingzing

    Feb 19, 2007 at 2:54 pm

    ok, i've never heard of gorod. i admit it.

  • 7 - zingzing

    Feb 19, 2007 at 2:57 pm

    and el bicho and anna creech get away with it on the obscure/new tip (respectively). this despite el bicho's anti-prince tirade somewhere else. fuck you, he's god.

  • 8 - Mark Saleski

    Feb 19, 2007 at 2:58 pm

    no fair zing! i usually get accused of hanging around in obscureland (especially with jazz)...so then i bring in Rickie Lee Jones...which, if you give it a listen, is actually obscure (at least in sound) AND new.

    ok, next week...something really whacky.

    ps. i've never heard of Gorod either.

  • 9 - zingzing

    Feb 19, 2007 at 3:03 pm

    yeah, ok. it is new. i forgot about that one. ok, a lot of you are getting away with it. so, i take it back in a way. except "walking in memphis." and toad the wet sprocket. feh!

  • 10 - DJRadiohead

    Feb 19, 2007 at 3:03 pm

    Careful, Zing, I am both a Toad the Wet Sprocket fan and married to the wonderful woman who championed that song. =) You treading on dangerous ground. Besides, that really is a great song.

  • 11 - zingzing

    Feb 19, 2007 at 3:08 pm

    bring it on, you wet sprocket fans do not frighten me. i'll just raise my voice above a soothing tone and your heads will implode into the void of your own obvious self-loathing. why would you harm yourself by listening to that smooth, smooth buttmud? ahh... how i love to hate...

    that said, i just read the last line of her "championing" of the song, and i see your revenge is already complete. you need not respond.

  • 12 - Mark Saleski

    Feb 19, 2007 at 3:11 pm

    why listen to Toad? because any band that can write a song like that AND do a cover of "Rock 'n Roll All Night" is OK in my book.

  • 13 - zingzing

    Feb 19, 2007 at 3:13 pm

    ahem, "FEH!" (growled with lower lip starting tucked behind overbite, then thrown out with as much spittle as possible, left dripping onto the floor with nostrils flaring, eyes cocked at wrong angles, crotched rudely grasped to increase the look of pain on the face.)

    thank you.

  • 14 - zingzing

    Feb 19, 2007 at 3:15 pm

    that's "crotch," not "crotched," and it totally ruins my fun.

  • 15 - Cara de Pescado

    Feb 19, 2007 at 3:32 pm

    I stand by Waking In Memphis. It's a great tune to play in an entirely hokey playlist!

  • 16 - El Bicho

    Feb 19, 2007 at 3:43 pm

    I just updated my piece with a sample of Mr. Green for your listening pleasure.

    zing, my comment wasn't anti-Prince.

  • 17 - Anna Creech

    Feb 19, 2007 at 4:27 pm

    Last year, a friend recommended I check out some Toad the Wet Sprocket. So I picked up their best-of album and was surprised that I a) knew a lot of the songs and b) actually liked them. Go figure!

    zingzing: You wanna talk obscure? Hm. Well, then I'll be browsing through my indie singer/songwriter collection this week. Although, a number of them are starting to get national attention.

  • 18 - DJRadiohead

    Feb 19, 2007 at 5:37 pm

    Zing, fear not me nor the other Toad fans. Fear TheWifeToWhomI'mMarried. ;-) She did have her defense on the field already, though, didn't she? Now you know why I encourage you all to fear her. Unless this would displease her. Right, of course.

    Besides, soothing tones are no bad thing in a world that is... less than soothing?

    Anna, the best of collection is a decent compilation. Too many of my favorites aren't on there, but best of's aren't usually designed for the devoted. Dulcinea is my favorite of their proper albums.

    Lisa, the bite-size nature of this does make things a little easier, doesn't it?

  • 19 - Matthew T. Sussman

    Feb 19, 2007 at 6:07 pm

    The sound of my own voice. I love that song.

  • 20 - DJRadiohead

    Feb 19, 2007 at 6:41 pm

    Sussman, shouldn't you be talking about NASCAR or something?

    On the obscure issue... I might have one or two items that would qualify. I listen to some stuff that is not on the hit parade, but I don't know where you draw the line with obscure.

  • 21 - zingzing

    Feb 19, 2007 at 7:55 pm

    it doesn't just have to be unpopular, it has to be deservedly so!

    nah. just something that you won't find through most media sources, and not because it's crap, but because it's out there, at the edge of music.

    take this, for example:

    recently, i heard a song called "you're nogood" by terry riley. it seems that he was playing one of his more typical minimalist pieces in a club (nyc? la? don't know,) and the club owner was impressed and ask riley to make a piece of music that he could play at the club before bands came on. so riley asked for his favorite current song and the club owner brought out "you're no good" by someone named Harvey Averne. (i swear you've heard the song before, but it in itself is also quite obscure.)

    so, riley took the record, gathered up a moog synth, a white noise generator, a couple of delay pedals, some tape and about 20 minutes spare time, sat down and recorded this doozy. it starts with about 3 minutes of moog and white noise, with a steady rising tone in continuous peak until... a soul song starts. riley plays most of the song before he starts to mess with it, delaying and layering it back upon itself, vocal lines and horn hits whining and eating themselves, then looping around and around... it becomes hip-hop.

    this was made in 1967.

    the song continues to eat itself, becoming more and more chaotic, before snapping back into place and going down a different path towards ever more chaos and rebirth, including a final section where white noise meets soul cut-up. yum.

  • 22 - zingzing

    Feb 19, 2007 at 8:00 pm

    sorry for the nakie link, but here it is:
    "you're nogood" by terry riley

    [Naked no more, zinger! Comments Editor]

  • 23 - DJRadiohead

    Feb 19, 2007 at 8:37 pm

    While I am sure that's great stuff, Zing, the purpose of The Listening Room series is not to come up with the most off-the-wall songs we can conjure up- although. It's simply a group of us talking about what we've been listening to, however main stream it may or may not be.

    Thanks for commenting and mixing it up with us. I am going to check out your link.

  • 24 - zingzing

    Feb 19, 2007 at 8:40 pm

    thank you, sah. i've never learned how to do that... but i don't do it too often, and it gives you something to do other than take out "fuck off, you pussbag of human butt mud" and shit like that. must be refreshing.

    did you listen to it? listen to it! lovely stuff.

    i'd listen to it on speakers, not headphones, as the stereo effects of 1967... well, they leave something to be desired. too black and white for my tastes. listening to the beatles and the who on headphones makes me want to die.

  • 25 - zingzing

    Feb 19, 2007 at 8:44 pm

    well, dj, much as i respect the idea, wouldn't it make more sense to come up with something people don't know? you guys do this to some degree, but it would be absolutely pointless to have a three paragraph statement about how you've been listening to "heart of glass" or something like that...

    it's not off-the-wall that i'm trying to push, particularily, it's lesser-known stuff. stuff that people might not be aware of.

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