The contributions of many Jewish performers would continue to influence the blues and Jazz scene. The significant clout of artists like Artie Shaw, Buddy Rich, Mel Torme, Herbie Mann, Stan Getz, and Irving Berlin were massive at the time, and that’s just to name a few. Many believe that George Gershwin was strongly influenced by his Yiddish background. The beginning clarinet of "Rhapsody in Blue" was definitely a Klezmer influence and Benny Goodman is also a good example of this. Not too compare myself by any means, but these were Jewish people with their roots in the synagogue like me.
My soul searching while I was recovering from my heart condition was now starting to come together. There was something I felt back then. The Big Band Jazz and sleepless nights of soulful blues was finally making sense. It would certainly explain why my father would play his harmonica and jam with my brother, and why he was so profoundly turned off by The Monkees and even The Beatles.
Fast forwarding to the sixties, the contributions of Jewish people in blues and jazz continued, and I recalled my brother spinning music of The Paul Butterfield Band on his turntable. A young guitar player from his band, who received his first guitar as a Bar Mitzvah present would contribute and inspire a new generation of musicians and fans. His name was Mike Bloomfield. It really didn’t matter where he was from. The sound was pure heartfelt, soulful blues and everyone including all the blues giants couldn’t deny his obvious talent. Bloomfield was so dedicated to his craft that he turned down going on the road with Bob Dylan to stay with Paul Butterfield.
By the way, speaking of Dylan, between Al Kooper’s The Blues Project and the Highway 61 Sessions Revisited, there were so many Jewish contributions you could have easily had a minion if you had to.
At this time in the sixties in England, there was something oddly familiar taking place (I think I said this before). John Mayall and the Blues Breakers were carving a name for themselves in the British Blues seen. Now don’t get concerned, I’m not going to tell you that Eric Clapton was Jewish. However, when Clapton left The Bluesbreakers he was replaced by a Jewish bluesman called Peter Greenbaum, more commonly known as Peter Green.
Green would eventually be known as a pioneer of the British blues scene. Everybody would marvel at the sound that Green would generate from his famous 1959 Gibson Les Paul. B.B. King would go on to say that Green “has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” Similar to Clapton, Green only worked on one major album with John Mayall and the Bluesbreakers and would go on to form a little known band of his own called Fleetwood Mac. Just in case you never knew, he also wrote "Black Magic Woman," made famous by Santana.
Article comments
1 - Glen Boyd
Man, what a fantastic article! I think its time that the Blues Blogger unmask himself and reveal his true identidy to Blogcritics and to the world. This was so well-written, in-depth, and passionate I simply don't know where to begin. Great, great piece. Bravo to the Blues Blogger!
-Glen
2 - Pico
Nice article! As soon as I saw the title with "Blues" and "Jewish" in it I thought of Michael Bloomfield. Man, what a talent he was. On the jazz side, John Zorn comes to my mind because of his Masada project and also his fostering of Klezmer jazz bands like The New Klezmer Trio. You could probably go on for a long time about the contributions Jews made to both genres.
3 - Glen Boyd
I wonder if Kenny G has any jewish in him Pico. Maybe we need to email his assistant...
-Glen
4 - Pico
I get a sneaky feeling that this conversation is about to take an interesting turn...
5 - Jon Sobel
Very thought-provoking article. I have always noticed an affinity between the minor-key strains of traditional Jewish music (ancient Sefardic music, Torah chants, klezmer, etc.) and the "blue notes" that define what we call the blues. It's very interesting to reflect that these may be related not simply through the psychology of a shared experience of persecution, but actually, to some degree in modern times, through musical cross-pollination.
(Note: I think your reference to Joshua Redman is an error. He is not a Jewish musician from the golden age of jazz...)
6 - The Blues Blogger
Thanks for all your kind words. I'm glad you enjoyed the article. Jon you are definitely right. Not sure how that happened. I was probably thinking of Red Buttons or something ridiculous like that. Who knows …weird… I promise you this; I’ll never buy that brand of red wine again. I’ve sent an email off to Glen to fix it.
7 - JC Mosquito
I've got a green bullet harp mike just like the one in your picture. Funny... it didn't look...
8 - Glen Boyd
I didn't read that email until late this evening, but consider it fixed.
-Glen
9 - Robert
Well,(one of) Jack Bruce's middle names is Asher.
Hmmmm.
As a Jewish Blues based guitarist myself, I can see what Bloomfield had going on. Peter Green is somewhat of a mystery to me. One of those acid casualties that drifted into a cult and then seemingly had his Oliver Sachs moment, afterward.
I don't know if you want to lump Paul Kossoff soelly in the camp of Blues players, but he was a HUGE influence on me. Hendrix was, too. Do a bit of genealogical nosing around on Jimi's surname. You might be very surprised!
Sorry to hear about the Heart Attacks, man. I had two M.I.'s at the end of 2004. Would have traded both of them for massive Strokes.
Peace, Brother!
-Robert
10 - Tony Stock
Bill Wyman called Dylan "the greatest white blues singer". It would be interesting to look at Dylan's influences, and his association with people like Ramblin' Jack Elliott, real name Aronowitz (from memory).
LIstening to songs like 'One More Cup of Coffee..' and having heard Dylan perform numbers like 'Little Moses' and 'Let My People Go', we can be left in no doubt that Dylan has been heavily influenced by his religous roots.
11 - joe
I love it when you say the jews and blacks lived together bull the jews used the blacks and would never live near them or any other white goiam....the jews used the blacks....jews live in comfort when blacks live in poverty...jews control everything the media and the usa..
12 - Bigdog
The Jews did far more for popular music than even this article suggests. How about a MOJO awards!
The call and response was already well embedded in popular song among the new world colonists as it came from sea shanties. There is nothing in traditional African music that can be more linked to Blues and Jazz than European music. When Europeans travelled to Africa to buy slaves they were engaging in trade. Ports have always been melting pots and the ships used popular songs to help the work. North America was 70% Scottish Irish just as slavery was taking off. Listen to Scottish Psalm singing and tell me it isn't where Gospel came from. Modern popular music owes much to Jews and much to Scottish/Irish traditional music, as well as the European song tradition. All of these predate any black influence and negate the very small features that resemble African traditional music. This is because African traditional music is very, very simple and contains only elements that are already present in many other musics. The influence that Black people have had on modern music however, is huge. But they did this while they were Americans. Blues and Jazz are, without doubt, American. Blues and Jazz have exactly the same heritage as America does: Founded by Europeans who then bought Africans to do most of the labour. As the Africans gained their much deserved freedom they showed what they could do within that same new culture. Good on America for giving the world these great musical forms and bad on those that want to claim them as exclusively theirs.
13 - ross bradshaw
Just come across this article.. we (Five Leaves in the UK) have just published a book called Jazz Jews by Mike Gerber. It's 656 pages, international in scope, 7,000 names in the index. Not the last word on Jews in jazz, but a lot of words...
You can find more details on www.fiveleaves.co.uk.
End of commercial.
14 - Dima Gimburg
Thank you for a great article. As a jew i really wanted to know what has my religion benefited to the genre I love so much. When I think of it now, I see so many jewish artist performing around the world and making their influence on the blues [modern or older].
15 - YS
Hey,
Great article! I want to write a paper for an African American history class on the relationships and mutual influence of black and Jewish jazz musicians. What are some good sources where I can read about that?
Thanks,
YS
16 - Paul Robert Thomas
Great & very interesting article, particularly for me as a song lyricist who has always loved the Blues & is now being drawn more & more to Jazz, in fact our soon-to-be-released album called 'Cole Porter's Blues' is a Jazz/Blues album ....... and yes, I am Jewish:)!
17 - Kdees
Cool article, I am a Muslim researching Jewish influences in Blues/Jazz/Folk, I am also researching Islamic influences in Blues/Jazz. Anyway nice article however you missed a few Jewish key figures in Blues/Jazz, starting by Leiber, Stoller and Chess brothers. I find it shocking that you labeled B.B. King infamous! as a Blues/Jazz researcher I find that new, when did the king become "infamous" ?
18 - kali
@ bigdog
Its only a matter of time before our culture is completely stolen
And history changed. Our music simple? Are u kidding me? Stop stealing peoples culture and passing it off as ur own. Without blacks there wouldnt be any jazz. You know nothing of our spirit. Jazz is from us. Humanity is from us. Religion from us. In twenty years i would bet my life people like u would claim rap came from jews. Stop trying to steal our culture. You can barely tapyour foot on beat.Btw, great article.
19 - Teri Rini Powers
I am a Jewish convert of 37 years...I am a Jazz musician and am attempting to write a service in Jazz....I find your article very thought provoking....since I am 73 years in age....and of Italian descent...and have been a musician all of my life...and think that perhaps..God gave all people the ability to think and create...and Jazz is one of the many roads that we take.