First posted on Mark Is Cranky:
I'm getting near the end of Barry Miles' most excellent (if a little uptight) bio of Frank Zappa. As you would expect, it's kinda sad as details are recounted of Frank's decline due to terminal prostate cancer.
The approach of the end had some interesting effects on Zappa. In particular, it seemed to bust a hole in his wall of loner-ism. Partly a way to "cheer Frank up", his wife Gail began to invite folks over for dinner, Margueritas and music-making. Near the end of his life, Frank made some interesting (for Frank) friends including Paddy Malone of the Chieftains and Tom Jones. Yes, the Tom Jones. Jones' version of "The Tennesee Waltz" appearing on the Chieftains Long Black Veil was recorded at Zappa's home studio, the Utility Muffin Research Kitchen.
One of the goals Zappa had throughout his life was to see some of his 'classical' works moved from the paper to the orchstra. He wanted to hear what all those dots sounded like. Perhaps the most successful Zappa orchestral event was The Yellow Shark. The music was played by the Ensemble Modern, an outfit known for their willingness to attempt the most brutal of scores. If you give Shark a listen, you will hear them play (and humanize) one of my favorite Zappa Synclavier pieces, "G-Spot Tornado". I tell ya, it's a thing of beauty.

So yesterday, I went out for a drive to get lunch. It has been mind-numbingly cloudy and rainy in the Northeastern US for most of the spring: but yesterday's bright blue sky and crisp, dry air made an extended lunch pretty much mandatory. After scarfing down a most yummy egg salad on wheat, I made a visit to a local emporium-du-CD's. It's a little store, so I didn't expect much in the Zappa bin. I was right, except for this way cool Ensemble Modern disc, Ensemble Modern plays Frank Zappa. Subtitled "Greggery Peccary & Other Persuations", the CD features a nice selection of music from way back when ("Revised Music For Low Budget Orchestra" and the featured "The Adventures of Greggery Peccary" (Lather), "Peaches En Regalia" (Hot Rats) to 'modern day' Frank ("The Beltway Bandits" from Jazz From Hell and "A Pig With Wings" from Civiization Phase 3).
I can't say that this record would be a good introductino to what Zappa's all about, but...if you think that Frank was just a novelty tune guy, the Ensemble Modern will correct that in a hurry.









Article comments
1 - Aaron, Duke De Mondo
brilliant, Mark. i love these damn things, is the truth of it all. And curse you for having me enjoy an article about Frank Zappa!
2 - Mark Saleski
thanks duke. it's definitely one of my goals to infiltrate yer head with new and uncomfortable music.
(no, i haven't purchased that Morissey disc yet)
3 - Eric Berlin
Couple of random thoughts --
"Long Black Veil" by The Walkabouts is one of my favorite indie songs of just about ever. Any connection with that title of the Chieftain's new number?
Anyone think a film (or musical?) will ever be made of the life de Zappa?
Great job as always, Mark -- I need to check in with the FML more often...
4 - Eric Olsen
"Long Black Veil" is a country standard - my favorite version is the Band's, although lefty Frizzell's hit version from '59 is great also
5 - Aaron, Duke De Mondo
Regarding Long Black Veil, Johnny Cash's version on Live At Folsom Prison is hard to beat. he does it again on the recent Unearthed box set. wonderful.
6 - Eric Berlin
So I'm hearing that "Long Black Veil" goes back a ways...
7 - Aaron, Duke De Mondo
"nobody knows. nobody sees"
8 - Eric Olsen
it's a great creepy ghost story of honor and deceit - I think it only goes back to the '50, though it was written to seem much older
9 - Eric Berlin
I really need to hear some of these other (older) versions. The Walkabouts' one is terrific.