One aspect of Haight Ashbury culture the media made a big deal about was its communal living aspects; sometimes as many as two dozen people shared a single enormous Victorian wooden house. As Jerry Garcia once pointed out, this was really an economic phenomenon more than a philosophical one; the houses, which sometimes had as many as a dozen bedrooms, were run-down survivors built prior to the 1906 quake; they could be rented fairly cheaply, and a dozen people could split the rent and still get their own bedroom.
The communal living (many bands, including the Airplane and Dead had communal houses, although the houses eventually became business centers more than residences) did lead to an unusually tightknit musical community; Phil Lesh described his experience being in the Grateful Dead as being one of five fingers connected to the same hand. Members of all the leading bands have guested on each others albums, a practice that continues to this day.
For the purposes of this playlist, the groups included are either from San Francisco, its surrounding area, or were frequent visitors to the ballroom venues of the day, like Avalon, Winterland and the Fillmore West. I included not only the original acts, but later ones through the early 70's, corresponding with the 1971 closing of Fillmore West.
Some important/influential San Francisco/Haight-Ashbury artists/songs include:
1. Grateful Dead: Dark Star
Jefferson Airplane may have hit bigger first on the national stage, but there is no group that has come to truly epitomize Haight Ashbury as a philosophy as much as music, and there's no Grateful Dead song that epitomizes the Dead more than "Dark Star". What non-Deadheads might not know is that "Dark Star", known for the up-to-20-munutes-and-beyond improvisations the band gave it in concert and once best known for the version on Live/Dead (1969), is that it actually was released as a under 3-minute single in a studio recording, although it never made it onto an album at the time. Devotees of the Dead and "Dark Star", in its myriad of versions, or Dead-influenced musicians might want to add that little nugget to their audio libraries as a record of the song's germination, if they haven't already. Also of interest is Greyfolded, 1995 album by sound-collage artist John Osborne, who "folds" dozens of live versions of "Dark Star" in the service of creating the ultimate "Dark Star", over two hours long. That might be too much for non-Dead fans, who might want to skip the rest of this playlist, too. But novices should set aside some time and sit through the classic version on Live/Dead. A better one is on Two From The Vault, the best double-live album of vintage Dead; everyone has their favorite.
Article comments
1 - Don
Does anyone know what's going on with Sly? The last I heard is his showing up in costume (bikers helmet) at his sisters concert there in Cali.
2 - uao
No idea; the last two decades are pretty fuzzy. He recorded a flop single in 1987, "Eek-a-Bo-Static", but was jailed for drug possession that year.
He also managed a duet with Martha Davis (of the Motels) "Love & Affection" at about the same time.
He showed up at the Hall of Fame induction in 1993, by all accounts to the surprise of his bandmates.
In 2003, the original Family Stone (without Sly) entered the studio; I don't know if the session amounted to anything.
Freddie Stone is a minister with a website.
Here's the article about Sly showing up at his sister's concert in August 2005, the only news I could find for him for the last decade. He came by 4-wheel Harley wearing a motorcycle helmet, which he kept on all night, and wasn't recognized in the VIP room because most of the VIP's were blind (!)
Al Barger posted this article on Sly's 60th birthday; I was moved by the very personal nature of the comments from fans, friends, and well-wishers that appeared on the thread.
3 - Steve
Visit the John Cipollina website here
4 - uao
That's a beautiful website, Steve. A fine tribute that really gets into all aspects of his career and musicianship. I know you've done him proud.
I'm still preachin' the Quicksilver and San Fran word to the young squirts. Cipollina is a name worthy of remembrance and discovery.
5 - Joanie
Thankfully, we have some great realitvely unknown bands who are carrying on the tradition established during the big Haight era.
6 - Tom Weller
Nice reminiscense on the San Francisco sound. Actually, Country Joe has put out half a dozen albums since 1996. Check out his site (I'm the webmaster).
7 - uao
My apologies for the error, Tom. I've corrected the sentence; I was looking at an outdated discography. Joe deserves his due.
Nice website too!
8 - Dave
FYI, "Loosen Up Naturally" (1968) was the first release from the Sons of Champlin. "The Sons" (1969) is their second release. In addition, they've reformed and have been performing and recording since 1997, with a new release, "Hip L'il Dreams", on August 23rd of this year.
Check out their website at www.sonsofchamplin.com for more info...
9 - uao
Doh!
Sorry Dave. Should have looked for your website first. I can't fix the error here anymore, it has been archived. But I'll fix it on the original blog entry at my blog.
I very much appreciate the webmasters checking in here, though. You've alerted me to the fact you guys are out there, which will help me keep better informed of these musicians (for whom latter-day info is sometimes hard to find or cross-reference for facts). As penance, I think for future playlists of this nature, I'll post links to official websites, when I can find them.
I'm kind of expecting to hear from Joy of Cooking or Dan Hicks next...
It's all meant in loving tribute, though, as well as an introduction for listeners who have never even heard of some of these names.
10 - Hammond Guthrie
Dave - These are excellent album reviews and commentaries. If by chance you also review 60s memoirs please contact me and I would be pleased to send you a copy of my book "AsEverWas" released in 2002 by SAF publishing in London. If you visit their website you can find the pr blip for my book near the bottom of the book index page. In the listing I think you will find books about some of your favored musicians as well - Thanks for taking the time - best of the moment to you and your readers.... Hammond Guthrie
11 - Hammond Guthrie
Sorry for the inadvertant omission - here is the SAF publishing url
http://www.safpublishing.com/
asever - Hammond
12 - uao
I don't review memoirs as a rule, but I do read them on occasion; memoirs of a "Beat Survivor" is germaine as San Fran was beat city before it was psychedelicized. Thanks for the comment Hammond.
13 - Dennis Newhall
The Sons of Champlin's Loosen Up Naturally was their first album. THEN, The Sons (The Sons of Champlin Have Changed Their Name to The Sons)
14 - Temple A. Stark
We can fix the link if you ask uao. Just e-mail the link that gors with this comment.
15 - Temple A. Stark
Late notice but,
This post was chosen by the section editor as a BC pick of the week. Go HERE (link) to find out why.
And thank you
- Temple
16 - Hammond Guthrie
Thanks for your reply - SF takes up a rather small part of the tale - and largely set in Europe late 60s vs. SF. Best to you and your projects.
17 - Blake
great album reviews. I wish i could have lived during the rock/blues and psychedelic era. I agree that blue cheer's lesser known album OutsideInside is better than their debut album, although i love both albums, especially the songs out of focus and babylon.. I also agree with that one guy that the guitarist of quicksilver is amazing and should be remembered next to hendrix, page, clapton... oh man actually there were so many amazing got guitarists that never got the recognition they deserved... like guitarist from tons of garage rock/ garage punk bands.. also from old psychedelic bands.
Mick Abrahms from Bloodwyn Pig and Jethro Tull was great for example.
18 - GoHah
good to hear Dan Hicks, with or without the Hot Licks, still kicking around. I had their LP--might've been called "Stikin' It Rich" or to that effect. All pretty much good-timey music like "The Laughing Song" and I believe "Canned Music was on there too. Then there was the exception--an extended scary number with wigged-out violin titled, appropriately, " I Scare Myself." Truth in advertising, indeed.