Sunday Morning Playlist: British Invasion - Page 4

Part of: Sunday Morning Playlist
Author: uaoPublished: Sep 25, 2005 at 11:07 am 6 comments

In this self-contained group unit, the band gradually came to be expected to write its own material, instead of the traditional practice of relying on outside songwriters. The Beatles' 1964 album, A Hard Day's Night was the first album ever released by a rock group that contained only songs written by the group itself; soon, this became standard practice, putting the Tin Pan Alley roster of professional songwriters largely out of business.

Gerry & The Pacemakers [film advert] (1965)   Freddie & The Dreamers [bubble gum] (1965)

The British Invasion was important also for helping to birth folk rock, by inspiring folkies like Roger (nee Jim) McGuinn to toss away their acoustics for electrics. The British Invasion led to the first psychedelic music (The Yardbirds), the power trio (The Who, Cream), progressive rock (Sgt. Pepper, The Moody Blues, Pink Floyd) and ultimately heavy metal (Argent, Led Zeppelin).

In the 70's, plenty of British acts continued to hit big in America, but no longer as a monolith; British artists who succeeded did so within their own specific musical genres, be it hard rock, heavy metal, progressive, singer/songwriter, punk, et. al. The original, classic British Invasion sound remains variations on the two guitars-bass-drums-maybe an organ-singer lineup, producing melodic pop or rhythmic rock.

Obviously, many of the well-known groups are great, and any recording of theirs is worth a listen. Some of the British Invasion groups were also pretty awful; either cloyingly saccharine, overly cute, or simply bland and uninspired. Thus, any anthology that claims to be a thorough overview of the era is bound to be a very bumpy listen. However, there is a lot of good stuff beyond the obvious names, much of it worth exploring. Not only for Beatles-Stones-Who-Kinks fans, but for anyone with an interest in rock's most formative years; its own teendom, in some respects.

Some important/influential British Invasion artists/songs include:

1. The Beatles: A Hard Days Night
The Beatles: A hard day's Night [U.S.] (1964)
From its opening 12-string guitar chime to its chiming 12-string coda, this is one of the Beatles' most self-assured and best recordings. The rhythm is jaunty, the Lennon/McCartney vocals stellar, the first appearance of a 12-string guitar on a rock record ultimately birthed folk-rock, the exhuberance is still real and unforced, the song writing duo really collaborated on it; it's essentially a perfect rock single. The Richard Lester film, A Hard Days Night, an absurdist take on a typical day in the boys' lives, was a major success, and earned kudos for its sophistication. The single reached #1, as did the album, A Hard Day's Night. The U.S. version of the album (on United Artists) contained the seven songs contained in the film, plus the film's incidental music (not featuring the Beatles) as padding, and Capitol combined leftover numbers from the British album with a British EP and a German language version of "I Want To Hold Your Hand" as Something New, thus the companies squeezed two albums out of one; both reached #1. During one week in 1964, the Beatles had singles in the #1, #2, #3, #4, #5, #31, #41, #46, #58, #65, #68, and #69 positions, plus the #1 and #2 allbums. The following week, two more Beatle songs entered the Hot-100.

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  • 1 - uao

    Sep 25, 2005 at 10:17 am

    I also salute: Dusty Springfield, Billy J. Kramer & The Dakotas, The Creation, The Honeycombs, The Walker Brothers, Manfred Mann, Cilla Black, The Tremeloes, et. al.

    I thought the article was already waaay too long. I'll add 'em on my blog's entry when I get time.

  • 2 - The Proprietor

    Sep 25, 2005 at 12:00 pm

    The opening chord of "A Hard Day's Night" still inspires much discussion and contention amongst guitarists and Beatles fans. One researcher actually put the chord through a Fourier transform to discover the actual components of the chord (which as any 12-string Rickenbacker owner will tell you, is not played with just that guitar). In all likelihood the chord was played simultaneously by Harrison and Lennon on guitar simultaneously (Lennon is generally considered to have used his Gibson J-160E on this track, not his Rickenbacker 325), McCartney playing a bass note on the Hofner, and George Martin playing a dissonant piano chord.

  • 3 - uao

    Sep 25, 2005 at 1:13 pm

    Your knowledge of musical equipment and guitar lore continues to astound me, Proprietor.

    Fascinating analysis; it's always an education.

  • 4 - Matt

    Sep 26, 2005 at 11:05 pm

    Both the post and the Proprietor's add-on are good stuff. Thanks guys!

  • 5 - ac/dc#1

    Dec 03, 2008 at 8:57 am

    i know that zepplin came about five years after the invasion, but they are the best rock band in the world besides the beatles and the stones. give them the credit that they deserve!!!

  • 6 - ac/dc#1

    Dec 03, 2008 at 8:59 am

    even though led zeppelin came after the invision hey are still a good band. please include them in the blog!

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