Skull and Guts Music! No Fun! - Page 2

Part of: The Other Listening Room

Throbbing Gristle also confront listeners with the brutal side of human life. These granddaddies were making audiences vomit (literally) 30 years ago, using visual stimuli (like band member Cosey Fanni Tutti cutting herself from throat to crotch,) or deafening aural tones that turned guts inside out. Their lyrics concerned the blight [sic] of the poor, burn victims and bird shit (I think, although it could be about jerking off). Lead singer/spokesman Genesis P-Orridge started cults, baited the media with Nazi imagery, and is now partially female. Their music was deceptively simple, almost minimalist in execution, but open-ended enough that their “songs” could stretch out upwards of half an hour or more.

Discipline” is Throbbing Gristle’s last single (released 1981) and was never recorded in the studio. Genesis was always at his best before a bemused audience, but this performance gets downright weird, with audience participation bordering on cult-like uniformity. Witness the frightened looks from the boys and girls when Genesis gets in their faces or hits himself repeatedly during his tantrum, witness the girl holding her head as if it might explode, witness the strangely sedate dance the audience spontaneously participates in. What starts as “I want discipline” slowly turns into “What do WE want?” over crude rhythms and noise generators, and while the music doesn’t really progress, it’s on a death march of repetition that drains the mind and helps you remember that we’re all animals.

Is this even music? The British government labeled Throbbing Gristle as the “wreckers of civilization” after their first live shows and Genesis is quoted as having said something like about changing the very nature of music. Shows included blood enemas and Cosey’s pornography, and the censor baiting got to the point that Genesis had to leave England before they took his children away. TG is now making a comeback with an album called Part Two: The Endless Not, but some of the old aggression (and even some of the humor) is missing. Maybe 25 years just mellows a man (woman). Who knows, in 25 years, I could be listening to some limp-ass Fusion records. Enjoy while you can.

Kisses!

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Zingzing is condescending. Zingzing make no bones. Zingzing has bigger ears, and more of them, than you do.

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Article comments

  • 1 - Pico

    May 22, 2007 at 3:03 pm

    Zing, you rawk!

    Don't know if I'll ever get around to listening to this stuff, but the metaphors being thrown around here are worth the price of admission. Thanks for answering my call to enlighten us.

    And be sure to bookmark my reviews so that 25 years from now you'll know which limp-ass Fusion records to listen to.

    xoxo

  • 2 - zingzing

    May 22, 2007 at 3:16 pm

    well, if you have to choose just one, i would suggest the tg track for you... tg improvised a lot of stuff, especially live, and their ... synergy... was quite amazing.

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