Retro Redux: Pondering Julie London

Part of: Retro Redux

How someone is remembered — as an actress who also sang or a singer who also acted — is a question that has occurred to me more than once. It's not always easy to answer when considering the many ladies who have dipped a toe in both ponds. And just to muddy that pond water a little more, let's say that to qualify as an actress requires acting fame, rather than skill — otherwise we'd be here all day. Just to be fair, we'll also judge singers by their performing success rather than by the quality of their voices.

Some ladies were clearly one or the other. Rosemary Clooney made a number of movies, but is probably most remembered as a singer, and a good one. The same could probably be said of Liza Minelli, who did win a best-actress Oscar but had a sporadic acting career. But her mother was a flawless singer and a huge movie star whose first starring role in The Wizard Of Oz made her a household name. (And if you don't know who I'm talking about, shame on you.)

There have been others who have been two-way stars, including Barbra Streisand, Doris Day, and a few others I'm probably overlooking. But there have also been many like Connie Stevens, who is probably remembered most for her movie and TV work.

And that brings us to Julie London. A native Californian, she certainly began as an actress, appearing in a number of films as she began building a career in the post-war years. But her thespian activities were put on the back burner in 1951 when she married actor Jack Webb, who was at that time probably a lesser name. That soon changed when he became the iconic Joe Friday in Dragnet, and Julie happily settled down as a wife and mother, soon giving birth to two daughters.

Unfortunately, the couple broke up within a few years and Julie entered a new phase in her life, teaming up with (and later marrying) musician/composer Bobby Troup to develop a singing career. She didn't have the strongest voice around, and once admitted, "It's only a thimbleful of a voice, and I have to use it close to the microphone," but she had a voluptuous style and a sultry sound that fit certain songs perfectly. Tunes like Troup's "Daddy," (video at bottom) and her all-time top seller, "Cry Me A River," helped fuel her popularity, and for several years she was one of the top-selling female vocalists around.

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Article Author: Big Geez

The Big Geez is a retiree who takes time off from trimming his ear hair to write about music -- sometimes doing conventional reviews, but often just sharing his opinions about how something resonates with his memories and those of his generation. …

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