Pick On Someone Your Own Size - Page 6

After passing a "studio test" with producers Gary Katz, Russ Titelman, and Ted Templeman, Prince signed a six-figure contract - one of the largest ever for a new artist.

Prince's debut album, For You, sold 150,000 copies and received a modicum of critical praise. "Soft And Wet/So Blue," the first single from For You, sold 350,000 copies and reached No. 12 on the R&B chart. Prince's third album, Dirty Mind, basically another one man show, started to make inroads with the pop audience, but didn't have a strong single and was a step back commercially from his second album, Prince. "When You Were Mine" is the surprise of the album - a punchy, melodic new wave tune that could have come from the Police (and they would have been happy to have it).

Dirty Mind was the artistic bridge between the Prince of the past and the one who became a superstar. Prince began to gain a reputation as a highly charismatic, if over the top, performer: he stalked the stage in bikini briefs and high heeled boots, simulating sex with his guitar and various band members. This behavior raised eyebrows and inspired his next album title.

Controversy is bright synth pop splashed with black dance rhythms. Prince's natural voice replaced much of the falsetto of previous albums. The title track is classic Prince that deals with the sexual, social and racial close-mindedness of the time with gospel intensity.

Controversy, released in October of '81, was created during a prolific time in Prince's career. In between Mind and Controversy, he put together a great funk group, The Time, which featured future production stars Jimmy "Jam" Harris (keyboards) and Terry Lewis (bass), Cynthia Johnson (original lead singer, who left to sing with Lipps, Inc. of "Funkytown" fame), guitarist Jesse Johnson (who went on to a solo career), and lead singer Morris Day (who sparred with Prince in the film Purple Rain, and had a solo hit with "Fishnet"). Though filled with raw talent, most of the magical moments on the Time’s first three albums were generated by Prince.

1999 is the Prince's masterpiece. The double-LP format gave him more
space to stretch out and he finally connected with the pop audience. Chock-full
of hits, the album's best include the apocalyptic "1999," with its chunky guitar riffs, anthemic melody and jubilant vocal. "Little Red Corvette," a musical comparison between the feminine mystique and a muscle car, succeeds on every level with the elegant tension of the verses answered by the flowing organs, pounding drums, orgasmic guitar and vocal ejaculations of Prince on the choruses.

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Article Author: Eric Olsen

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Article comments

  • 1 - Chris

    Oct 01, 2002 at 4:13 pm

    What's interesting is it seems like artists whose careers are in decline are the only ones upset by all this new fangled internet music sharing. Run "U2 Live" through a Google search and you find a ton of sites offering "pirated" CD's or downloads. Heck, one site even has almost every U2 show ever done available for download.

  • 2 - Eric Olsen

    Oct 01, 2002 at 5:00 pm

    Good point, Chris, thanks.

  • 3 - Russell Fischer

    Oct 01, 2002 at 6:42 pm

    And this after Island Records sued Negativland into the ground 'on behalf' of U2, based on Negativland's use of mateiral related to that bunch of Irish 'rockers'. Another duality.

  • 4 - an admirer of...

    Oct 02, 2002 at 2:05 pm

    interesting... might also find this interesting as well... thanks...

  • 5 - Eric Olsen

    Oct 02, 2002 at 2:15 pm

    Thanks Matthew (?), looks very interesting indeed, will follow up.

  • 6 - an admirer of...

    Oct 02, 2002 at 2:53 pm

    No, just a visitor of his site. Matthew also linked to this site yesterday too (but for some reason the links and quote are no longer there.)

    Prince: "Regardless of industry spin, eye love my fams and thank them 4 ALL their support, even the bootleggers! Peace and Love Christ." - Prince, 6/8/00

    Also listed temporarily here:
    (In prince's own words on page 6 of the liner notes of his official 5cd "Crystal Ball" boxset)
    "9. Movie Star - D'Angelo's favorite bootleg. His love 4 this track inspired its inclusion..."

    Prince has an interesting way of expressing to his fans how he feels about bootlegging. From accepting it in interviews & liner notes, to sueing one of the folks that bought the 5CD set simply because of what was mentioned in the article above. Not exactly what they teach in business school. Is the lawsuit just a way to drum up publicity for Prince's own upcoming 3CD live album coming out this fall? Seems like a pretty cheap way of getting it in the short run, but quite expensive in the long run based on just a few of the responses here.

  • 7 - an admirer of...

    Oct 02, 2002 at 7:10 pm

    As posted here by Prince on his official website less than 2 months ago:

    What is 4 sure, however, is that, in spite of its many claims 2 the contrary, the recording industry has yet 2 provide evidence that P2P is actually detrimental 2 music making as an artistic endeavor, and even as a commercial venture. It is worth remembering, 4 xample, that sales of music CDs actually increased when Napster was at its peak, and declined after Napster was abruptly shut down. Even economists who thought that file sharing "should b" hurting the recording industry r now xpressing their doubts, based on what they say is simply not happening.

    More importantly, many well-respected artists have sided with Internet users against corporate greed and actually use the Internet 2 promote alternative ways 2 distribute their music and reach out 2 a non-captive, legitimate audience of authentic music lovers.

    This does not mean, of course, that all 4ms of file sharing r equally innocuous. There is little doubt that, when people use the Internet as a substitute 4 radio, i.e. as a way 2 discover new music, it can help promote the work of artists. But when a young junior high school student downloads tracks off the Internet and makes CD-R copies of them that he then sells 4 $5 in the schoolyard, it hurts sales of the original CD and it's disrespectful of the artist - regardless of how small a cut of the actual CD price the artist actually gets after all the xecutives and the middlemen in the recording industry have taken their piece of the pie.

    Still, can we really go as far as 2 say that digital technology is creating a "nation of thieves" who no longer recognize the just value of art?


    Contradiction anyone?

  • 8 - Jeremy

    Dec 23, 2007 at 6:05 pm

    Hi,
    Just read your dialog regardingPrince copyright issue. I have just been suspended from eBay for 1 year for selling an official Prince DVD which is available on many online shops like amazon, hmv etc... as well as retail shops. Obviously these people who are in charge of that holy mission are targeting independent music sellers who can not fight back easily. I make my living on Ebay and the only way i could resume is for Prince's people to withdraw their complaint which i guess not going to happen. The DVD Prince Glory Years has even an authentic EAN number but these things do not mean anything unless you are HMV or some other big company that can defend itself. They do not even bother to provide a contact to discuss the subject with. Do you have any idea what i can do about this? Best Regards...

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