Among the blues musicians of today you've got your stars like Robert Cray, Jonny Lang, Shemekia Copeland and so forth, and then you've got the remaining 98% who are toiling away at this blessed craft in relative obscurity, anonymous to all but the patrons who catch their shows in bars and festivals across America and beyond. These little-known blues men and women don't have big name recognition, access to the finer supporting players and slick promotion. And for all their efforts, it might not even be paying all their bills; they play the blues for nothing more than the thrill of doing so.
One of those guys who gladly sweats for the blues is a fella by the name of Kent DuChaine. I never would have known about him were it not for my Alabama blog brother Derrick Lord turning me on to him several years back. But DuChaine leaves an impression on anyone who has caught his live act, as Derrick can attest.
This troubadour for the blues was played with or opened for such luminaries as Bukka White, Fenton Robinson, Kim Wilson, Hubert Sumlin and Johnny Shines. Armed with only a vintage 1934 National Steel guitar he calls "Leadbessie," DuChaine gigs a lot around in his Southeast U.S. home and in Europe.
Duchaine can probably expertly play any blues standard out there, especially the Robert Johnson songs that got him hooked on Delta Blues in the first place, but he's been known to craft some pretty compelling numbers of his own. One of them that I especially like is the fiesty "Marilyn." It's a standard twelve bar blues but played with a lot of gusto from DuChaine's roaring shout and his heavily percussive playing (Kent uses heavier guage strings for Leadbessie for that purpose). The sound from both his voice and the National Steel is big enough that you're not left wanting for a backing band.
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