New Album Releases 10/21/08: AC/DC, Kiss, High School Musical 3, Gary Louris, Dave Carter, Hank Williams III & More - Page 3

Part of: New CDs

Gang Gang Dance
Saint Dymphna
Social Registry
Downtempo, Experimental Dub, Experimental Rock, Electronica, Ambient Dub, Post-Rock/Experimental

Stan Getz
Stan Getz in Stockholm
Verve
West Coast Jazz, Cool, Mainstream Jazz

Tom Glazer
Sings Honk-Hiss-Tweet-GGGGGGG and Other Favorites
Smithsonian/Folkways
Children's Folk, Novelty, Sing-Along, Educational, Traditional Folk

Sebastien Grainger
Sebastien Grainger and the Mountains
Saddle Creek
Indie Rock

El Guincho
Alegranza
XL
Indie Electronic, Indie Pop

Gyptian
I Can Feel Your Pain
VP
Contemporary Reggae

Daniel Harding
Benjamin Britten: Billy Budd
Virgin Classics
Modern Opera

Jazzanova
Of All the Things
Verve
Jazz-House, Downbeat, Acid Jazz, Trip-Hop, Broken Beat

Waylon Jennings
Waylon Forever
Vagrant
Outlaw Country, Progressive Country

Montell Jordan
Let It Rain
Native
Contemporary R&B

Kiss
Ikons
Island/Mercury
Pop-Metal, Arena Rock, Heavy Metal, Hard Rock, Pop/Rock, Album Rock

Lake
Oh, the Places We'll Go
K
Indie Pop

Shawn Lee & Clutchy Hopkins
Clutch of the Tiger
Ubiquity
Experimental Ambient, Funky Breaks, Electronica, Downbeat, Trip-Hop

Gary Louris
Acoustic Vagabonds
Rykodisc
Contemporary Singer/Songwriter, Adult Alternative Pop/Rock, Americana

Mary Mary
The Sound
Columbia
Contemporary Gospel, Contemporary R&B

Craig Morgan
That's Why
BNA
Contemporary Country

Morley
Seen
Seen
Alternative Pop/Rock

Pygmalion
Bach: Missae Breves, BWV 234 & 235
Alpha
Baroque Choral Music

Various Artists
Black Orpheus [Universal]
Verve
Original Score, Film Music, Soundtracks

Parts & Labor
Receivers
Jagjaguwar/Brah
Indie Rock, Noise-Rock

The Peppermint Rainbow
Will You Be Staying After Sunday
Collectors' Choice Music
Sunshine Pop, Bubblegum, Baroque Pop

Pit Er Pat
High Time
Thrill Jockey
Indie Rock, Post-Rock/Experimental

The Sea and Cake
Car Alarm
Thrill Jockey
Post-Rock/Experimental, Indie Pop, Indie Rock, Experimental Rock

Jimmy Smith
Hobo Flats
Verve
Orchestral Jazz, Hard Bop, Soul-Jazz, Big Band, Jazz-Funk

Various Artists
Eccentric Soul: The Young Disciples
Numero
R&B, Soul

Various Artists
Love Train: The Ultimate Sound of Philadelphia
Sony
Smooth Soul, Pop-Soul, Quiet Storm, Philly Soul, Disco, Soul

Jimmy Webb
Live and at Large
Jimmy Webb
Singer/Songwriter

White Hinterland
Luniculaire
Dead Oceans
French Pop, Indie Rock, Avant-Garde

Hank Williams III
Damn Right Rebel Proud
Sidewalk
Americana, New Traditionalist, Outlaw Country

Lee Ann Womack
Call Me Crazy
MCA Nashville
Contemporary Country, Country-Pop

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Article Author: Glen Boyd

You'll find Blogcritics music editor Glen Boyd sharing his Thoughtmares on his personal blogs The World Wide Glen, and The Rockologist. Glen is also the author of Neil Young FAQ, scheduled for a spring 2012 release by Backbeat Books/Hal Leonard …

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Article comments

  • 1 - JC Mosquito

    Oct 21, 2008 at 8:17 am

    I think it's going to be hard to dismiss this new ACDC disc - for one thing, rumours are that this might be the last studio effort you'll hear from these "boys," a term used loosely as Brian Johnson is 61 years old this year. But the main thing is there's a subtle shade of difference in the music. Sonically, they don't sound much different; however, this time ACDC doesn't sound like a parody of themselves as they have done on some of their weaker albums. With producer Brendan O'Brien's help, they seemed to have de-emphasized the typically forced juvenile lyrics, simple to the point of being simple minded music, and corporate rock star success; instead, they seemed to have found the core of who they are - just some aging rockers who still have a couple of trumps left to play. Go out on top, gentlemen.

  • 2 - Tom Johnson

    Oct 21, 2008 at 10:49 pm

    Remasters of Fripp & Eno's pioneering, iconic No Pussyfooting and Evening Star are also out today. NP gets an unusual (for Eno remasters, anyway) bonus disc that presents reverse and half-speed versions of the tracks, the former of which was an on-air accident by John Peel that only Eno himself called the station to complain about (me, I'm kind of astonished that stuff like this was played on the radio at any time in history.) They also look pretty next to all the other Eno remasters, bearing the same design. (While you get a remastered NP, you still have to keep The Essential Fripp & Eno for the "Healthy Colours" suite, however. No idea where that might pop up in the remastered discography - or if it will at all.) One complaint? No liner notes whatsoever - just like the other Eno remasters. It would have been nice to have some words from the guys about these important releases.

  • 3 - Glen Boyd

    Oct 22, 2008 at 3:45 am

    Umm....thats what we have you for Tom....right?

    -Glen

  • 4 - Brian aka Guppusmaximus

    Oct 22, 2008 at 7:09 am

    I don't think AC/DC needs to call it quits... Just Brian Johnson. But, he's been needing to do that since the mid 90's.

  • 5 - JC Mosquito

    Oct 22, 2008 at 7:15 am

    Actually, I thought Brian Johnson sounds better on this new album than he has in years.

  • 6 - Paul Roy

    Oct 22, 2008 at 8:22 am

    The studio can make anyone sound good.

  • 7 - JC Mosquito

    Oct 22, 2008 at 9:14 am

    Yep, you're right - but the old saying still holds true: you can't shine $#!+.

  • 8 - Brian aka Guppusmaximus

    Oct 22, 2008 at 10:15 am

    Yea.. But you can polish a turd.

    Seriously, he probably does sound "better"[not imo]
    but it has been 7 years since their last release. I'm sure they haven't toured constantly for 6-7 years and with the studio magic,like Mr. Roy stated, it's not too hard to come up with 15 tracks that probably won't translate so well in concert.

    What people don't realize is that in the studio you are not singing to a live band. You're just layering tracks, so, the volume can be raised on certain aspects. This means Mr. Johnson doesn't have to strain to lay down the vocals, thus , my concern in a live setting.
    I think Brendan O'Brien should get most of the credit. The mix sounds great & not overly slick. Though, I think AC/DC needs to write songs with their rhythm guitarist in mind because he is no where to be found on this release.

  • 9 - Dr Dreadful

    Oct 22, 2008 at 12:49 pm

    Yea.. But you can polish a turd.

    Can you indeed? Do you have experience of this, Brian? Do the droppings need to be fired in a pottery oven first, or can they be buffed while raw? What kind of glaze would you recommend, and lastly but most importantly, will they look good on my mantelpiece?

  • 10 - Mark Saleski

    Oct 22, 2008 at 12:56 pm

    i thought the most important question was "Will they be cheaper than Neil Young tickets?".

  • 11 - Tom Johnson

    Oct 22, 2008 at 12:59 pm

    Glen - I'm not sure if you caught it, but I was saying that it would have been nice to have some words from the guys, as in Fripp & Eno, in relation to the lack of any liner notes whatsoever. It wasn't intended as a dig at the lack of these albums being noted, honest.

  • 12 - El Bicho

    Oct 22, 2008 at 1:04 pm

    Tom, it was crystal clear, but then unlike Glen I wasn't drunk on Bud Light and exhausted after a Neil Young concert

  • 13 - Glen Boyd

    Oct 22, 2008 at 2:35 pm

    I was unaware of the Fripp and Eno reissues because they weren't on the AMG list. And it wasn't Bud lite Bicho, it was Stella. Man, Neil rocked it too last night....

    -Glen

  • 14 - Brian aka Guppusmaximus

    Oct 22, 2008 at 3:05 pm

    Well,Well... The doctor lives up to his name.

    You put a lot of thought into those questions, didn't ya?! So I will topple the hardest & most important one...

    will they look good on my mantelpiece?

    Well, I guess if it's sitting next to this piece of sh!t,I think it might look f*cking fantastic...*smirk*

    Game On:)

  • 15 - jake

    Oct 24, 2008 at 8:18 am

    Ur all gay wads!

  • 16 - jake

    Oct 24, 2008 at 8:20 am

    Ur all gay wads!

  • 17 - Pico

    Oct 24, 2008 at 10:19 am

    jake just pwned all of you.

    So, there.

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