"Body and Soul." Coleman Hawkins. (1939)
Hawkins’ “Body and Soul” is an icon: the measure of any tenor player to this day is his handling of the tune against the first master of the instrument. A 3-minute, lightly-swinging ballad recorded as an afterthought at the end of his first U.S. sessions after a five-year stay in Europe, “Body” boasts Hawkins’ rippling harmonic excursions, rhythmic perfection, and the drama of his unfolding auto-one-upmanship have placed it at the center of jazz history.
- Sergey Prokofiev. Peter and the Wolf. Serge Koussevitzky, conductor; Richard Hale, narrator. Boston Symphony Orchestra. (1939)
Sergey Prokofiev brought his "orchestral fairy tale," Peter and the Wolf, to Moscow audiences in 1936, having composed the music and written the narration as a children's introduction to orchestral music. Prokoviev conducted the Boston Symphony Orchestra at Symphony Hall at the American premiere in1938. This premiere recording of the work was performed by the Boston Symphony, under the direction of Serge Koussevitzky, with narration by Richard Hale.
"In the Mood." Glenn Miller and His Orchestra. (1939)
Miller’s “In the Mood,” composed by Joe Garland and Andy Razaf, was No. 1 for 12 weeks and exemplifies “Big Band” for many people. Solos by tenor saxmen Tex Beneke, Al Klink, and Clyde Hurley have echoed cheerfully through dance halls for 60 years, accumulating iconic weight along the way.
- Edward R. Murrow broadcast from London. (1940)
Edward R. Murrow's eyewitness news broadcasts of the Battle of Britain conveyed the emotions and sounds of a city under siege to audiences throughout the United States. One of the best-remembered of that series of 1940 broadcasts was on of September 21 when Murrow dispassionately described the bombing of London from a rooftop during the blitzkrieg.
We Hold These Truths. Radio broadcast. (1941)
Commissioned to celebrate the 150th anniversary of the Bill of Rights, radio prducer and writer Norman Corwin created We Hold These Truths. The one-hour drama exploring American values aired one week after the invasion of Pearl Harbor. The broadcast was carried on all four radio networks simultaneously to an audience of more than 60 million listeners, roughly half of the U.S. population at the time, and was the largest audience in history to listen to a dramatic presentation.
Peter Ilich Tchaikovsky. Piano Concerto No. 1, op. 23, Bb minor. Vladimir Horowitz, piano; Arturo Toscanini; conductor; NBC Symphony Orchestra. (1943)
To promote the purchase of bonds during World War II, Arturo Toscanini and Vladimir Horowitz donated their services for an Easter Sunday afternoon concert, held at Carnegie Hall on April 25, 1943. The performance raised more than $10 million dollars. The second half of the concert was broadcast by NBC. It consisted of Tchaikovsky’s first piano concerto, the Nutcracker Suite, and the "Star-Spangled Banner."
Article comments
1 - Temple Stark
Well we didn't all that list since it is at the link.
To take this much of the text, in this case, it should be pointed out, is OK because it is a 100-percent government release. As in, no copyright.
I'll have to get back this but very cool. I was going to commend the poster for the link back to other blogcritic articles - before I saw it was EricO. :-)
2 - Eric Olsen
bolded the titles to make it more readable; yes, government source, ripe for the picking, but I did include my own input as well: that which is not indented
3 - DrPat
Well, I thank you! I would never have thought to check the list without this link and the substance posted here. It makes me feel good to realize I have more than a half-dozen of these in my own collection...
4 - Eric Olsen
glad it was helpful, the '02 and '03 lists are worth perusing as well
5 - Eric Berlin
Man, I'd love to check out those Murrow broadcasts from London circa The Blitz. Now that's some history for you.
Yesterday, I was walking along when the Ewok celebration from Return of the Jedi popped into my iPod. That song transitions into the Star Wars main theme, and I was thinking about how amazing it is, how striking, how original, how utterly... Star Wars it is. If that's not the greatest movie theme ever, I don't know what is.
6 - Eric Olsen
I love the jaunty faux-jazz of the nightclub scene in the original
7 - Eric Berlin
Are you talking about the Cantina scene? That music is fabulous. And I love the blue dude with like elephant-type hands that plays the keyboard-like instrument.
8 - Eric Olsen
yes, cantina, it's been a while
9 - Al Barger
Bad as I hate the idea of guvment as art critic, I gotta say this is a pretty sweet list. Jimmie Rodgers, the Beach Boys and Public Enemy all together. Plus some real pickin' fiends from Flatt & Scruggs and the Allman's. What more could you want?
10 - JR
Actually, it's the government as a library, maintaining our intellectual infrastructure. These are just the librarians' picks.
11 - Eric Olsen
with nominations from the public
12 - Dave Nalle
I've got 8 of those on my iPod including 2 of the albums. Not bad. Bet you''d never guess which ones I have tho.
Dave
13 - Beto Mattos
Friends!!!
Friends are with a lot of affection and pleasure that me same Beto Mattos singer and Brazilian composer request her/it this recording support, because I have a wonderful work of a lot of more success with the bankruptcy of the big ones recording in Brazil am disabled of selling my work, so much that with the great success of my album don't have cd in the market and I seek a recording one or even dealer that can help myself in this process visits my site hears some of the music hope to count with this considered company.
www.betomattos.art.br
011 (97342103
14 - Joe Arnold
Mike Johnson's "YODELING 40 YEARS" 2-disc CD
is now part of the Library of Congress' Recorded Sound collection!
What's so special about Mike Johnson's release, you ask, since there have been many, many yodeling albums containing 20 to 30 yodeling songs on them! Quite true, but none of them can boast that ALL of the songs on those releases were written by ONE person! Well we can, because all 50 of the yodeling songs on this 2-disc CD album were written & composed by Mike Johnson.
These songs will take you on a journey from Mike's raw beginnings and development to becoming Country Music's No.1 Black Yodeler. Also debuting on this release are more of Mike's unique wordless yodeling songs like "Black Yodels No. 2 to 7", "Snuggle-Up Yodel", "Wild Horse Yodel", and "Yodel Round Up." Mike has written over 100 yodeling songs.
On 15 March 2007 we received a confirmation letter from the Library of Congress informing us that Mike Johnson's "Yodeling 40 Years" and "Black Yodel No.1" CDs, and related yodeling material, are now part of the Recorded Sound Reference Center's permanent collection. This is a part of the Library's Motion Picture, Broadcasting and Recorded Sound Division.
Mike Johnson is also one of the 18 World Famous Yodelers featured on the "Rough Guide To Yodel" CD, singing his ever-popular "Yeah I'm A Cowboy."
Wanna hear some of those songs, go to www.indiecharts.com/yodeler
Wanna see Mike in action, go to www.YouTube.com and type the following titles into the Search Engine bar;
1. Mike Johnson's Tarzan Did! [Mike is 60 years old on this performance]
2. Mike Johnson's Wild Horse Yodel [and this one too!]
3. Mike Johnson - Mama Don't Allow No Music Round Here.
Radio DJs can download Mike Johnson songs at;
www.airplaydirect.com/music/bands/12725
Mike's Mother's Day hit "DID YOU HUG YOUR MOTHER TODAY?" is now part of the CD Baby lineup.
www.cdbaby.com/all/mikejohnson
Have a good day.
Joe Arnold, Roughshod Records
P.O. Box 100933, Arlington, Va. 22210