It takes two to Tango. It also takes two to Paso Doble. The former displays harmony while the latter is a duel. Wild Beasts’ second album Two Dancers is a Paso Doble, a bull fight full of abusive love and sexual deviance. There are two participants in this masquerade but there is nothing symbiotic about their relationship. The themes explored on this album are tales of a woeful domestic life. From custody battles, divorce, and teenage runaways, to eroticism, abuse, and parasitic relationships, it’s a dance to the music of selfish maneuvers on a tight rope of domestic commitments.
Only one year after their debut album earned them merited attention, Wild Beasts completed Two Dancers, not only improving on 2008’s Limbo, Panto but cementing themselves as one of the most promising indie bands making music today. A truly cohesive record blending indie rock, dream pop, and dance music, Two Dancers howls to be set on loop play.
Opener “The Fun Powder Plot” sets the tone for the LP with a silky groove. It also makes it quite apparent that lyrical messages will be hard fought as it’s rather enigmatic. A bit of research is required here. As it turns out, “The Fun Powder Plot” is presumably about Fathers 4 Justice, an activist group that stands for equal rights for fathers. More specifically the song refers to the protest that happened outside of London’s House Of Commons. Yet the track doesn’t maintain this premise throughout as it dips in and out of the sexual imagery rampant on the album (“this is a booty call / my boot up your a**h*** / this is a Freudian slip / my slipper in your bits”).
The abusive love theme begins to solidify in “All The King's Men” as bass player and occasional vocalist Tom Fleming sings of women as “candied queens” and “birthing machines.” Marriage and domestication here are shown to have the dark potential for oppressive subservience against the ironic backdrop of perky melodies and swung guitars. The girls in the song are made into objects whom the boys will drape in jewels, cut off their hair, and throw out their shoes. There is nothing mutual about this partnership; this is the fray between the two dancers.
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