Normally trips down memory lane are exercises in sentimentality that have little or no interest to anybody save those directly involved in the events being rehashed. When such excursions are married to popular music, the results are as varied as people's individual tastes. It's difficult to generate enthusiasm for these exercises in nostalgia if you actually lived through the era in question, especially when the music designated as being representative of the times doesn't appeal to you now anymore then it did when it first polluted the air waves.
Duran Duran doesn't appeal to me now anymore then they did back in the 1980s and I really can't see how anybody can look back on music like that with anything other than nausea. However, there's a difference between those sordid attempts at pretending there was anything worth remembering about bad pop music and embarrassing clothing trends and celebrating a specific genre of popular music.
In Rocksteady: The Roots Of Reggae the musicians who were at the forefront of performing this precursor of reggae reunited in Kingston, Jamaica, to record and perform some forty years after the genre's heyday. The documentary movie made of the reunion follows them around the city checking out their old haunts and into the studio as they re-record their rocksteady hits. While the movie has only received limited release, it opened on July 24, '09 in four cities in Canada, the soundtrack, Rocksteady: The Roots Of Reggae was being released on the Moll-Selekta label.
A joint Canadian and Swiss co-production, the movie probably won't get much distribution action south of the border, so the CD might just be Americans only opportunity to check out the greats of the rocksteady era coming together to play their music one more time. Judy Mowatt, Leroy Sibbles, Rita Marley, Sly Dunbar, Marcia Griffiths, and Hopeton Lewis might not be familiar names to most of today's audiences. Reggae fans might recognize the names of the three women from their time as the "I-Threes" singing harmonies for Bob Marely (and in Rita's case, as Bob's wife); Sly Dunbar as the drumming half of the ubiquitous reggae rhythm section Taxi Squad; and Leroy Sibbles from his days as the lead singer of the Heptones and his subsequent successful solo career. However, most of the other people involved in this won't be known to many people outside of Jamaica, as rocksteady didn't seem to travel off the island.
Before any of them made names as reggae stars, they were playing and recording rocksteady. In a lot of ways it seems like the main difference between rocksteady and reggae was the amount of recognition and money the performers received as compensation for their efforts. The music, at least what's been recorded on this disc, doesn't sound much different from reggae, save perhaps that it's lighter on the bass and a bit more up tempo. What makes these songs so important is they represented the beginning of the move away from ska music, which had dominated the Kingston music scene until the mid 1960s, that would eventually lead to reggae.