Music Review: Two Beethoven Thirds - Page 2

Beethoven composed most of the symphony in late 1803, completing it early in 1804. The symphony was premiered privately in summer 1804 in his patron Prince Lobkowitz's castle Eisenberg in Bohemia. The first public performance was posted in Vienna's Theater an der Wien on April 7, 1805 with the composer conducting. Beethoven's originally scored the symphony for 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 3 horns in E flat and C, 2 trumpets in E flat and C, timpani and strings.

The two orchestras and conductors are Osmo Vanska and the Minnesota Orchestra (in the first American cycle in decades) on BIS and Philippe Herreweghe and the Royal Flemish Philharmonic on Pentatone. These two conductors and orchestras approach Beethoven from two vastly different but well-established directions with two equally unique and fresh performances. Hybrid SACD further adds value to these recordings. When starting with music of the quality of the Beethoven Symphony cycle listener is guaranteed nine sublime pieces of music.

Ludwig van Beethoven - Beethoven Symphonies 3 & 8 [Hybrid SACD]
Minnesota Orchestra, Osmo Vanska, BIS, 2005

Osmo Vanska and the Minnesota Orchestra expand their sonic palette with their fine recording of the Third Symphony (coupled with the Eighth) as an SACD hybrid. Where their previously released Fifth Symphony was sumptuous but somewhat one dimensional in sound. Gladly, this expands to a three dimensional amphitheater sound that places the listener with the orchestra in the front and on both sides.

While Vanska insists on strict adherence the Beethoven's metronomic documentation, his first movement allegro con brio is slightly slower than those employed by the period history performances popular in the 1980s and '90s. His opening E flat Major chords have command and authority and are briskly delivered before conductor and orchestra settle into a determined momentum. These first two notes have been the most important of the symphony performance since Felix Weingarten squeezed them from The Vienna Philharmonic on to acetate sides in the 1930s. Vanska readily acknowledges this.

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Article Author: C. Michael Bailey

Arkansas son C. Michael Bailey has been in hiding since he revealed his family's abolitionist position prior to the War Between the States. He is a Senior Reviewer for All About Jazz and publisher of the webblogs (About) 100 Words On…, 100 Degrees At Midnight and The Pot Calling The Kettle Black. …

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