Music Review: Trader Horne - Morning Way

Part of: Classic Eurorock

Trader Horne were a folk duo whose music, for an all too brief moment in time, captured something of the passing of an era. Sadly, their one album, Morning Way, which was released in 1970, slipped by largely unnoticed seemingly lost within the rich musical scene of the time.

It has subsequently become a sought after collector's piece and has now been lovingly re-released by Esoteric Records.

For many the passing of the sixties signalled the end of a period that had promised so much. The hopes, dreams, and world changing ideals of the time were somehow locked within, and have become forever associated with that decade. The sixties had seen advances in social change, and of course, the world of music like no other decade. In truth, however, it had been a bitter sweet ride.

Music had broken out of your parents record player and become a social movement. Music was suddenly in colour as we began to realize its potential power. Pirate radio blew apart the old-school programming of the past. Record labels sprang up to release some exciting and revolutionary sounds to a waiting generation. The times had indeed a-changed.

In fact, the so called 'summer Of love' of ’67 can be traced back a lot further than those few spectacular yet brief months. No wonder people wanted to hold on to the memory.

Tragically, it was also the decade that saw continuing war, assassinations, and ended with student riots. As much as we remember Woodstock, which in many ways seemed to capture the whole vibe of a generation, the decade ended at Altamont and the infamous violence of the Stones free gig there. In many ways it seemed to be the symbolic end to the hippy dream.

As the seventies loomed many feared what they would bring. It was a strange time for the world of music and the inevitable break-up of The Beatles at the very point that the seventies arrived seemed to confirm the end of an era.This was the scene that the short lived Trader Horne was created within.

Londoner Judy Dyble had come to notice as the original vocalist with the now legendary Fairport Convention. She left in 1968, along with her partner at the time, Ian McDonald, after appearing on their debut album. Together they became part of Giles, Giles, and Fripp, who would eventually morph into King Crimson.

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Article Author: Jeff Perkins

Jeff is a writer who lives in France. He writes CD/DVD box sets, music reviews and has had a book published about David Byron of Uriah Heep. He is 'busy' exploring the music of Europe with his wife Debbie and dog Dylan. It's Dylan that does the writing of course. …

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  • 1 - Judy Dyble

    Nov 01, 2009 at 8:16 am

    If I may, I would like to correct some glaring mistakes. which have come from the new sleevenotes..
    The 'Ian MacDonald' of Fairport was not the Ian McDonald with whom I joined the forerunners of King Crimson..they were two completely different people...
    Jack's name was never spelt McCauley..always McAuley except by people who couldn't spell and were too lazy to check..
    It's 'Luke' That Never Was, not 'Like' Three Rings for 'Elven' Kings, not 'Eleven'
    and there is no 'The' in Children of Oare..

    Just putting the record straight as it were...
    Judy

  • 2 - Jeff

    Nov 01, 2009 at 9:15 am

    Dear Judy - I am so sorry these errors have occurred. I was learning about Trader Horne from the album sleevenotes and discovering the music at the same time and of course attempting to review it. Please accept my apologies (it was an honest attempt to promote the music) and I hope that people will still want to seek this album out and re-discover it. Thanks and best wishes Jeff.

  • 3 - Judy

    Nov 07, 2009 at 1:28 am

    Thanks Jeff, I do appreciate your review, it was lovely, I was more cross with whoever wrote the sleevenotes!! Sorry if I was fierce and grumpy. xx

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