Having appointed myself the arbiter of how music relates to geezers, I feel a heavy responsibility to steer my cohorts in the right direction when I spot something I think they'd like (or warn them away, in some cases).
Recently I received an advance copy of a new CD titled The Mystery by Australian guitarist Tommy Emmanuel, and as I listened to it I was reminded of that old adage about modern art, which I'll paraphrase: I might not know much about acoustic guitar but I know what I like. There is a lot to like here, and I'm living proof that you don't have to be an expert to enjoy Tommy's many talents, especially his skill at playing multiple parts simultaneously, which is nothing short of amazing.
If you're already into an appreciation of the great guitarists, then you probably know that Tommy is a world-renowned and award-winning member of that elite group, and if so then you can rest assured that he continues to impress on his new album.
One of Tommy's influences (and a mentor) was a picker we've all listened to countless times through the years, Chet Atkins, and years ago he famously gave Tommy the "certified guitar picker" designation. Chet and Tommy collaborated often, and their album The Day Finger Pickers Took Over The World was a big success.
Tommy has also appeared with Eric Clapton, Stevie Wonder, and even Les Paul, and lists a number of others as influences, including Jerry Reed (much under-appreciated as a guitarist) and Django Reinhardt from the early days of jazz guitar. (Not to go off on too wide a tangent, but if you've only heard Reinhardt on the more well-known songs where his guitar is dominated by Grapelli's fiddle, keep looking for those that present a truer appreciation of this pioneer.)