The likable covers the Carter Family’s “Who’s That Knocking At My Window?” as well as “Cannonball Blues” proved Those Darlins have a rendering for the country genre but when you move throughout the album you can clearly hear that their musical roots are not just from Nashville
Opening track “Red Light Love” does not even suggest they are a country act as they play a more bar-rock song. What I like about this one so much is I can actually feel them smiling as they sing this fun song.
“Wild One” is more or less the girls’ anthem/reminder of being wild and crazy. This song is Wanda Jackson with punk rock authority and provides a fair warning to all the folk out there that have a more than a musical liken for Those Darlins. This was the first song I had heard from the band and was the reason became so fond of them.
“The Whole Damn Thing”, to me, was the funniest song on the album as the girls sing about getting hammered and eating an entire chicken. To make things even more amusing the song continues with the consumed chicken being forgotten about.
Almost reminding me of something Johnny Cash might have written during his raging days was “Glass To You”, a drunken slur of a track. I almost felt bad for the girls in this painful song as they declare they are having “whiskey blues” and have “been drunk since half past noon” because of their man. Having more than one vocalist sing throughout just keeps it unhappy.
“Snaggle Tooth Mama” is a boot-stomping country jam with some fun intermitting guitar and bar room piano playing that by the end of the track will have you singing along. “222” is a tough track about all about boys, parties, and fun. Coincidentally one of the studios that the girls recorded at was in NYC at Jeff Cutain’s basement studio called 222.
Article comments