Music Review: The Whigs - In The Dark

The Whigs, a trio hailing from the same hometown as R.E.M. (Athens, Georgia), have made lots of noise over the past couple of years, and not just from its loud guitars and thunderous skins.

Where their debut album Give ‘Em All A Big Fat Lip (2005) introduced them to the world as a promising young band that Rolling Stone named one of the “Ten Artists to Watch” in 2006, their sophomore release Mission Control in early 2008 got them bigger audiences, complimentary comparisons to The Replacements/Paul Westerberg, festival gigs (Lollapalooza, Bonnaroo) and opening slots for the likes of The Killers, Drive-By Truckers and Kings of Leon over the ensuing couple of years.

So of course, it garnered (mostly) praise from mainstream critics and fans alike, and even earned them appearances on late night shows including The Late Show with David Letterman. Songs like “Right Hand On My Heart” and the straight ahead hard-charging “Like A Vibration” highlighted this era.

With the release this week of third full-length In The Dark (ATO Records), The Whigs are poised once again to take their sound and popularity to a new level.

“Hundred/Million,” the first of 11 tracks, gets bodies moving with its mid-tempo groove and dirty, distorted bass lines. “Black Lotus” starts and ends well with its jittery guitar parts and includes mildly catchy chorus vocals by singer/guitarist Parker Gispert, but in between suffers from unmemorable chord changes.

First single “Kill Me Carolyne” is where The Whigs take their sound to arena rock level, with its Kings of Leon-like drive. It’s not quite as infectious as KofL’s “Sex On Fire,” but is a sturdy second cousin and definite album highlight.

A funky bass line propels “I Am For Real,” while the love-seeking rocker “Someone’s Daughter” is one of a few cuts – one other being the excellent “So Lonely” – that bring back the band’s trademark thick, loud guitars and amplifiers. For these guys, the higher the amp’s gain is turned up, the better.

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Article Author: Charlie Doherty

Copy editor/content writer for Penn Multimedia; print/web journalist/freelancer, formerly for Boston Examiner, EMSI, Demand Studios, Brookline TAB, Suite 101 and Helium.com; co-head sports editor & asst. …

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Article comments

  • 1 - dcc815

    Sep 05, 2010 at 12:33 am

    "Yeah this author is an idiot honestly and knows nothing about good music. In The Dark should be 'in a real world' one of the best albums of the year. Too bad hip hop and fag pop congest everything

  • 2 - JK

    Nov 03, 2010 at 2:41 am

    Huh?

    The guy gives it four stars... What the hell are you moaning about?

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