Mavis, Cleotha, Yvonne, and Roebuck “Pops” Staples began their recording career during the early 1950s by producing some of the best post World War II gospel of the era. The first half of the 1960s found them fusing folk and soul into a creative blend. The third and most successful part of their career began with their signing to the Stax label during the fall of 1968.
Their early releases for Stax were creative but for the most part commercially unsuccessful. During 1971 they decided to leave the house band and studios in Memphis behind to record in Muscle Shoals, using their musicians. The result was one of the most influential soul/R&B albums of the decade.
Be Altitude combined elements of gospel and funky soul with Jamaican rhythms into a mix that was unique and creative. Mavis’ vocals were raw and emotional as they conveyed messages of hope, respect, and peace during an era when such messages were sorely needed.
The Muscle Shoals musicians may not have been as well known as their Memphis counterparts but they were just as talented. Lead guitarist Eddie Hinton, rhythm guitarist Jimmy Johnson, bassist David Hood, keyboardist Barry Beckett, and drummer Roger Hawkins laid down some of the best tracks of their career. The surprise was engineer Terry Manning, who played a Moog synthesizer and electric slide guitar, which were unique additions for releases by the Stax label.
The album's most memorable track is the Number One pop and rhythm & blues hit “I’ll Take You There.” Straight out of the Southern Baptist gospel tradition by way of the Caribbean, it has a call-and-response chorus along with the pure funk of Hinton’s lead guitar runs. Mavis grunts, groans, and sings her way to a memorable performance.
“Respect Yourself” was an anthem of self-empowerment during the post-Civil Rights movement. There is a subtle fuzz guitar sound that makes the song work. Also, the track has some nice tempo changes that are accentuated by the vocals.