I like this score. This duo steps away from the use of traditional orchestral elements in favor a variety of synth flavors. It is a rather sedate score that does not follow the usual build in volume as tension increases. Yes, there are portions where the volume increases, but it isn't the same. This score is in stark contrast to another horror score I recently listened to, Mirrors by Javier Navarrete, which employs an orchestra and has that recognizable flow from mellow elements to build an aura of tension that increases in volume and complexity as tension is increased.
The score does a strong job of creating an atmosphere of dread, with moments of quiet reflection, as it builds to a frenetic pace later on. The music is engrossing and even works outside the confines of the film (mainly because I like it and have not yet seen the film). I like the fact that it is not orchestral based, this allows it to venture in different directions using sounds that would be out of place in a traditional score.
I found it very easy to just sink into the aura created early on in the album. I can imagine listening to this in a dark room and being completely creeped out. Yes, it is that kind of score.
Among my favorite cues are: "Leon and Maya," "I Love You - Taking Photos," "Retrieving the Camera," and "Im Untergrund."
Bottomline. From start to finish, Williamson and Kobilke have crafted an engrossing score that encompasses sensitive moments as well as out and out fright inducing tones. This is well worth spending a dark evening with.
Recommended.
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