Stephen Reck’s progress within the field of classical guitar is nothing short of remarkable. It is fair to say that he was a late starter and only began formal guitar lessons at the relatively late age of seventeen.
He studied under the world renowned John Feeley and in incredibly quick time attained such a high standard that he was accepted into the Dublin Conservatory of Music. He then went to London and continued his scholarship under Carlos Bonell.
With the support of the Irish Arts Council Stephen went to Denver, Colorado and was further taught by Cuban virtuoso Ricardo Iznaola.
His reputation as a soloist has earned his position as one of the leading lights of the classical guitar genre. His first album of recorded work appears on this release entitled Saudade (Con Brio Recordings). The title is a Portuguese word describing the feeling known as nostalgia. There is however an essential difference relevant to the musical choices contained within this collection.
The album notes inform me that 'in nostalgia', one has a 'longing for what once was but a sadness that what happened in the past remains'. Saudade meanwhile, is described as 'a sense of longing or constant desire for what was but may come again'.
Stephen adds, "I chose the title Saudade not only in reference to the inclusion of the "Choro de Sausade" by Agustin Barrios Mangore but also the sentiments can be applied to each piece even if in some cases a more abstract way".
For the recording Stephen performs works by seven composers. He opens with three selections from Domenico Scarlatti (1685-1757). A contemporary of Handel, the Italian born Scarlatti was a prolific composer numbering an incredible five hundred and fifty-five sonatas written between 1719 and his death.
The three Scarlatti pieces are well chosen acting as excellent examples of the composers various musical influences. They are in related keys and yet are essentially different in style and texture.
The first in "G Major: K391" is an airy, dance-like piece performed with Stephen’s trademark flawless precision and immaculate tone. The second piece "D Major: K177" has a Spanish flavour whilst the third in "D Minor: K213" is Italianate in style.
Two compositions by Francisco Terrega (1852-1909), considered by many to be the founder of modern day classical guitar, follow. The exquisite, and technically complex, “Alborada” is complimented by the enchanting “Tango (Maria)”.
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